About Meet our contributors
Anson Yeung

Born in Hong Kong, Anson is currently studying medicine at the University of Hong Kong. A holder of Licentiate of Trinity College London in Piano Performance with Distinction, Anson plays the piano, organ and double bass and has an eclectic range of interests in classical music, ranging from Baroque to contemporary music. Since the age of 14, he has been writing reviews and articles for Interlude and the International Association of Theatre Critics (Hong Kong). He has also been invited to review newly released albums for RTHK Radio 4’s Music Insider.

Music has been an inseparable part of his life and a treasure that he will always cherish. Anson is pleased to be a contributor of Interlude, to share his love for music and to explore the endless possibilities of music.

Contributed Posts
Dec 14, 2021 What Should We Be Looking for in Chopin Competition?
A Promising Pianist or a Chopinist?
Oct 8, 2021 Daniil Trifonov’s Bach: The Art of Life
Oct 6, 2021 Forgotten Pianists: Vladimir Krainev
Sep 14, 2021 Víkingur Ólafsson’s Mozart & Contemporaries – Daring Yet Thoughtful
Aug 2, 2021 Forgotten Pianists: Aldo Ciccolini
Jul 9, 2021 Kit Armstrong’s Byrd & Bull – Lucid Yet Restrained Playing
Jul 5, 2021 Forgotten Pianists: Jorge Bolet
Jun 3, 2021 Pianist Rachel Cheung Dazzles the Audience With Her Artistry and Poetry
May 7, 2021 Review: Niu Niu’s Fate & Hope
Apr 24, 2021 Rediscovering Clichés in Classical Music