About Meet our contributors
Mengguang Huang

Mengguang Huang squareBorn and raised in Shanghai, Mengguang Huang is currently based in Hamburg, Germany. His professional background lies in architecture and shopping mall development, encompassing award-winning mixed-use projects across Asia, Europe, and Africa.

Having studied piano since childhood, he transitioned to the harpsichord during his studies in Edinburgh. While he has a particular passion for Early Music—specifically Baroque vocal music and opera—he maintains a high degree of openness and curiosity toward the broader classical canon, contemporary works, and world premieres. Beyond music, he has a strong interest in art history, archaeology, landscape garden, and healthy diet.

For him, music and writing are both media for communication, aiming to inspire discussion and shared vision.

Contributed Posts
Aug 3, 2026 A Visitor’s Guide to the Haapsalu Early Music Festival
Jul 30, 2026 A Modern Traveler’s Guide to the Händel-Festspiele Halle (Episode 2)
Jul 28, 2026 A Modern Traveler’s Guide to the Händel-Festspiele Halle (Episode 1)
Jul 25, 2026 The Queen’s Temporary Catch: Giovanni Bononcini’s Berlin Interlude
Jul 23, 2026 A Modern Visitor’s Guide to the Styriarte Music Festival (Episode 2)
Jul 22, 2026 A Modern Visitor’s Guide to the Styriarte Music Festival (Episode 1)
Jul 16, 2026 The Beginning and the End
How a 22-Year-Old German Rocked Rome and Wrote the Ultimate Baroque Thriller
Jul 9, 2026 The Ghost in the Score
Monteverdi’s L’Orfeo and the Birth of Human Drama
Jul 5, 2026 The Subtle Nuance of Handel’s Swan Song
A Re-evaluation of Deidamia 1741
Jul 2, 2026 The Century-Long Eclipse and Rebirth of Rameau’s Les Boréades