About Meet our contributors
Mengguang Huang

Mengguang Huang squareBorn and raised in Shanghai, Mengguang Huang is currently based in Hamburg, Germany. His professional background lies in architecture and shopping mall development, encompassing award-winning mixed-use projects across Asia, Europe, and Africa.

Having studied piano since childhood, he transitioned to the harpsichord during his studies in Edinburgh. While he has a particular passion for Early Music—specifically Baroque vocal music and opera—he maintains a high degree of openness and curiosity toward the broader classical canon, contemporary works, and world premieres. Beyond music, he has a strong interest in art history, archaeology, landscape garden, and healthy diet.

For him, music and writing are both media for communication, aiming to inspire discussion and shared vision.

Contributed Posts
Oct 4, 2026 A Contemporary Completion of Mozart’s Unfinished Mass in C minor (K. 427)
Oct 3, 2026 Festival Alte Musik Knechtsteden 2026 Review
A Poetic Excursion through the Early German Autumn
Sep 27, 2026 Violins and Synagogues: The Story of Salamone Rossi
Sep 15, 2026 The Margravial Opera House: Bayreuth’s UNESCO Baroque Wonder
Sep 12, 2026 Unlocking Dreams and Destiny: Caldara’s Gioseffo che interpreta i sogni
Sep 11, 2026 A Visitor’s Guide to the Innsbruck Festival of Early Music Episode Two: The City
Sep 10, 2026 A Visitor’s Guide to the Innsbruck Festival of Early Music Episode One: The Festival
Sep 6, 2026 A Box-Office Triumph Born of Crisis: The Art and Legend of Handel’s Oratorio Joshua
Sep 3, 2026 The Looming Light: Haydn’s The Creation
Sep 1, 2026 Youth, Identity, and Pastoral Sparkle: Handel’s Atalanta in Innsbruck