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History has a reliable habit of erasing women who made their mark – and the history of classical music is no exception. Some were too inconvenient to remember. Ethel Leginska (13 April 1886 – 26 February 1970) was one of
Bach built the architecture. Mozart gave it a human voice. Vivaldi taught it to paint. No single mind invented Western classical music. It was assembled across centuries — through faith, craft, theatre, and intellectual daring. But among its many masters,
In Frankfurt, Grigory Sokolov’s Schubert D960 did not sound like a work looking back. It sounded like a work leaving. That distinction matters. Many performances of Schubert’s last B-flat major sonata are shaped by memory: they invite the listener into
The Great American Songbook is a term describing the canon of the most important and influential popular songs from roughly the 1920s to the 1950s. During this era, popular songs were widely disseminated in the United States via phonograph records,
I am a guest curator at the Sheffield Chamber Music Festival from 15 to 23 May. In discussing what theme we might choose, various ideas have come to mind – Kurtag’s anniversary, The Northern Landscape? Perhaps unsurprisingly – given my
RWV BAMBERG Richard-Wagner-Verband Bamberg e. V. The internationally renowned Chinese conductor Xu Zhong is, among other things, Artistic Director of the Shanghai Opera House and Chief Conductor of the Suzhou Symphony Orchestra. Marko Cirkovic interviewed him about the new production
Music has long served as a powerful means of connection—transcending nationality, race, ethnicity, and cultural boundaries. It is a language without borders, capable of bridging distances that geography and politics often impose. In today’s complex global climate, this role feels
Peter Tranchell’s Twice a Kiss (1955) is not a work many of us will know. Composed for a performance during Cambridge University’s annual May Week celebrations – where Tranchell served as Precentor of Gonville and Caius College and Lecturer in
