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Having arrived as the newly appointed Festival Manager, I sat at my desk in the King’s Lynn office, surrounded by the cobbled streets of this historic port town, considering the legacy I now help steward. King’s Lynn is steeped in
How physical and psychological adversity shaped some of classical music’s most radical voices There is a persistent myth in the telling of great artistic lives: that genius triumphs despite its hardships. The more honest — and more interesting — story
Weill Recital Hall at Carnegie Hall, New York — June 9, 2026 A Carnegie Hall debut is often as much a test of artistic identity as of technical accomplishment. In his appearance at Weill Recital Hall, Mexican pianist Elías Manzo
History has a reliable habit of erasing women who made their mark – and the history of classical music is no exception. Some were too inconvenient to remember. Ethel Leginska (13 April 1886 – 26 February 1970) was one of
Bach built the architecture. Mozart gave it a human voice. Vivaldi taught it to paint. No single mind invented Western classical music. It was assembled across centuries — through faith, craft, theatre, and intellectual daring. But among its many masters,
In Frankfurt, Grigory Sokolov’s Schubert D960 did not sound like a work looking back. It sounded like a work leaving. That distinction matters. Many performances of Schubert’s last B-flat major sonata are shaped by memory: they invite the listener into
The Great American Songbook is a term describing the canon of the most important and influential popular songs from roughly the 1920s to the 1950s. During this era, popular songs were widely disseminated in the United States via phonograph records,
I am a guest curator at the Sheffield Chamber Music Festival from 15 to 23 May. In discussing what theme we might choose, various ideas have come to mind – Kurtag’s anniversary, The Northern Landscape? Perhaps unsurprisingly – given my
