Events

319 Posts
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Catering to the North: Accademia Bizantina Navigates the Rigours of Bach in Hamburg
The harpsichord is an instrument of proud, historical contradictions. When treated with theatrical flair, its plucked metal strings can evoke an entire lost world of Baroque opulence; when starved of imagination, however, it risks transforming the concert hall into a
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The Finals of the Queen Elisabeth Cello Competition 2026—Prepare to be Dazzled!
The highly anticipated finals of the Queen Elisabeth Competition for cello took place Monday, May 25, through Saturday, May 30, at the Salle Henry Le Boeuf (Centre for Fine Arts) in Brussels. Each evening, two finalists played the compulsory piece
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Stellar line-up announced for 60th HACS Harrogate Music Festival
Harrogate International Festivals is celebrating its 60th anniversary in style by bringing some of the biggest names and brightest emerging stars in classical music to Harrogate this summer – from the boundary-pushing stars such as Abel Selaocoe and Aurora Orchestra to legendary
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Andrea Chénier in Bilbao
Bilbao, the largest city and economic capital of the Basque Country, isn’t usually on opera lovers’ circuits. But a promising cast occasioned this trip to see Umberto Giordano’s Andrea Chénier, a coproduction between ABAO Bilbao (Asociación Bilbaína de Amigos de
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The Queen Elisabeth Competition for Cello 2026—Prepare to be Dazzled!
During my long career as a professional cellist, I have seen the popularity of the cello dramatically increase. Audiences love the cello, and so do performers, and the level of playing is extraordinarily high. This is exemplified in this year’s
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Gaze, Gluttony, and the Dissolution of Senses
A Review of B’Rock Orchestra’s Crossover Theater A Last Supper
Baroque instruments meeting electronic techno? While “crossover” has become a buzzword, the audience’s threshold for surprise is higher than ever. Yet, the Belgian B’Rock Orchestra recently managed to shatter the last remnants of their “early music” label. In their production
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The Bach Choir
The Work That Started It All in 1876
In 1875, the English lawyer Arthur Duke Coleridge, an amateur musician with influential connections, spent some time in Leipzig studying music alongside the young Charles Villiers Stanford. He became acquainted with Bach‘s B-minor Mass, a work that had received its
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The Insecurity of Love: Carmen 1875
Georges Bizet (1838–1875) never had the success he wanted in his lifetime. He had two hits in the operas Les pêcheurs de perles and La jolie fille de Perth, but both operas came in for criticism. The Pearl Fishers for
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