About Meet our contributors
Anson Yeung

Born in Hong Kong, Anson is currently studying medicine at the University of Hong Kong. A holder of Licentiate of Trinity College London in Piano Performance with Distinction, Anson plays the piano, organ and double bass and has an eclectic range of interests in classical music, ranging from Baroque to contemporary music. Since the age of 14, he has been writing reviews and articles for Interlude and the International Association of Theatre Critics (Hong Kong). He has also been invited to review newly released albums for RTHK Radio 4’s Music Insider.

Music has been an inseparable part of his life and a treasure that he will always cherish. Anson is pleased to be a contributor of Interlude, to share his love for music and to explore the endless possibilities of music.

Contributed Posts
Oct 28, 2023 Hayato Sumino (Cateen) Pushed Creative Boundaries in Hong Kong Debut
Oct 3, 2023 Benjamin Grosvenor in Hong Kong – Superlative Artistry & Imposing Pianism
Oct 2, 2023 Review: Víkingur Ólafsson’s Goldberg Variations
Sep 27, 2023 Lucas & Arthur Jussen in Hong Kong: Virtuosity Yes, Imagination Not So Much
May 31, 2023 Haochen Zhang Navigates Rachmaninoff’s Depths, but Long Yu Disappoints
Apr 25, 2023 A Tale of Two Pianists
Lifschitz & Volodin Perform Rachmaninoff’s Complete Preludes
Mar 8, 2023 Musings on Schubert
Feb 22, 2023 Bruce Liu in Hong Kong
Unconvincing Chopin but Stunning Ravel & Liszt
Feb 15, 2023 Schubert Complete Piano Sonatas – An Interview With Paul Lewis
Feb 9, 2023 HKU MUSE Celebrates its 10th Anniversary and Continues to Inspire