About Meet our contributors
Anson Yeung

Born in Hong Kong, Anson has recently graduated from St. Paul’s Co-educational College and is currently a medical student at the University of Hong Kong. An amateur pianist, organist and double bassist, Anson holds Licentiate Diploma in Piano with Distinction and has an eclectic range of interests in classical music, ranging from Baroque music to contemporary music. Since 2015, he has been writing concert reviews and articles for both Interlude and International Association of Theatre Critics. Music has been an inseparable part of his life and a treasure that he would always cherish. Anson is pleased to be a contributor (the youngest one at this moment) of Interlude, to share his love for music and to explore the endless possibilities of music.

Contributed Posts
Jul 9, 2021 Kit Armstrong’s Byrd & Bull – Lucid Yet Restrained Playing
Jul 5, 2021 Forgotten Pianists: Jorge Bolet
Jun 3, 2021 Pianist Rachel Cheung Dazzles the Audience With Her Artistry and Poetry
May 7, 2021 Review: Niu Niu’s Fate & Hope
Apr 24, 2021 Rediscovering Clichés in Classical Music
Apr 10, 2021 Forgotten Pianists: Sergio Fiorentino
Mar 12, 2021 Forgotten Pianists: Rafael Orozco
Feb 19, 2021 Benjamin Grosvenor’s Liszt Album – A Fine Combination of Artistry and Virtuosity
Jan 6, 2021 Lang Lang’s Goldberg Variations – Original or Sacrilegious?
Jan 3, 2021 Chloe Chua — More Than an “Ordinary” Wunderkind