About Meet our contributors
Maureen Buja

Maureen Buja thumbFrom the time I was an undergraduate musicology major, through my PhD in Renaissance music publishing, Musicology has been what I love to do. I’ve worked in the field of writing and editing in New York, London, Hong Kong, Muscat, and Athens, teaching and training new musicologists, giving pre-concert lectures, and, most recently, establishing a new music library at the Royal Opera House in Muscat. Now based in Athens, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna, Athens, and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Aug 10, 2026 The Invisible Use of Improvisation: Ariana Kim’s (Un)Common Thread
Aug 10, 2026 The Excitement of Live Recording: Sir Thomas Beecham
Aug 8, 2026 300 Years of History in a Violin
Aug 7, 2026 Paul Büttner: The Greatest Modern Symphonist You’ve Never Heard
Aug 7, 2026 Music Quiz: Colors in Classical Compositions
Aug 6, 2026 Portugal’s Musical Soul of Fado: Nuno Marques’ Pennas d’Amor
Aug 3, 2026 National Pride: Dvořák’s Slavonic Dances
Aug 2, 2026 Bach’s influence on Jazz
Aug 1, 2026 1 August: Alice Sara Ott was Born
Alice Sara Ott and Multiple Sclerosis: Performing Classical Music with a Chronic Illness
Jul 31, 2026 I Told You I Was Sick: Greek National Opera’s La Traviata