About Meet our contributors
Maureen Buja

Maureen Buja thumbMusicology has been what I love to do – I was one of those rare undergraduate musicology majors, then completed an M.A., M.Phil., and a Ph.D., all in musicology, and have taken those degrees to the max. I’ve worked in the field writing and editing, teaching and training new musicologists, and everything from academic to public musicology. Based in Hong Kong and Doha, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Jul 13, 2020 The Mutiny before the Fall: Gossec’s Marche lugubre
Jul 11, 2020 Artists and Their Quirks
Jul 9, 2020 What Happens Next: Ching’s Buoso’s Ghost
Jul 6, 2020 Fauré and the French Harp
Jul 6, 2020 From Voice to Violin: Paul Huang
Jul 3, 2020 Opera for Everyone: In Memory of Carl Reiner (1922-2020)
Jul 3, 2020 The Freeing Disciple: Mime and Music
Jul 2, 2020 Sustainability and Classical Music
How the Metropolitan Opera “Recycles” an Opera in a Good Way
Jun 29, 2020 Renaissance Duets: Pietrobono and His Tenorista
Jun 26, 2020 The Breadth of the 20th Century: A Conversation With Dmytro Choni