About Meet our contributors
Georg Predota

For some reason, bios always follow a predictable and rather boring format. Dr. Georg A. Predota holds degrees from blah, blah, blah, and university appointments from blah, blah, blah. His research interests and extensive publication record include blah, blah, blah and blah. By now, you are undoubtedly fast asleep! While these scholarly pursuits and achievement certainly exude a veneer of knowledge and authority—probably better call it perspective—they have no way of adequately capturing the enourmous sphere of human activities related to music that are of keen interest to me. What I can offer is an insatiable appetite for anything related to music, a blazing curiosity that is looking beyond agendas, attitudes and platitudes, the power and experience of razor-sharp observation and differentiation, and a smoldering passion for sharing my thoughts with those interested. Of course, if you’d like to see my professional qualifications, I’ll be happy to send you my CV.

Contributed Posts
May 27, 2014 Sails in the Harbor
Sydney Opera House
May 25, 2014 Richard Strauss and the Rise of Modernity
May 23, 2014 The Dossier Richard Strauss
May 21, 2014 Fazioli: The Ferrari among Pianos
May 18, 2014 The Conquest of Bayreuth
Richard Strauss and Cosima Wagner
May 15, 2014 Jean-Marie Leclair
May 13, 2014 “New ideas must seek new forms”
Richard Strauss and the Tone Poem
May 11, 2014 The musical Conversion
Richard Strauss and Alexander Ritter
May 9, 2014 Friday the 13th
Arnold Schoenberg and Triskaidekaphobia
May 6, 2014 Expressive Virtuosity
Carl Maria von Weber: Clarinet Concerto No. 1 in F minor, Op. 73