In essence

1709 Posts
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Hummel Fools Field
In his day, Johann Nepomuk Hummel (1778-1837) was considered the greatest pianist in Europe. Even Chopin, who wasn’t particularly forthcoming with praise of other composers, wrote in a letter “such great masters as Mozart, Beethoven and Hummel, the masters of
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Beethoven’s Lairs
“Rotes Haus, Alservorstädter Glacis 173”
In the spring of 1804, Ludwig van Beethoven moved into the “Rotes Haus” (Red House) where his friend Stephan von Breuning was lodging. Beethoven had been sick for some time, and von Breuning invited the composer to stay with him
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Composers of the Zodiac
Tropic of Scorpio
The constellation of Scorpio is associated with a number of myths. In one version rooted in Greek mythology, the legendary hunter Orion boasted to the goddess Artemis that he would kill every animal on Earth. Insulted by Orion’s excessive pride,
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Max Bruch and Clara Tuczek
“My Domain Is Vocal Music” During his long career as a teacher, conductor and composer Max Bruch (1838-1920) almost constantly moved among various musical posts in Germany. He found employment in Mannheim (1862–1864), Koblenz (1865–1867), Sondershausen (1867–1870), Berlin (1870–1872), and
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Ludwig van Beethoven and His Fellow Musicians II
Ludwig van B. and Franz Schubert resided in the same city for 31 years, but we don’t really have conclusive evidence that they ever met. We do know that they moved in different social circles, and that Schubert admired Beethoven
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The Neglected Bruch
“As time goes on most of my works will be more and more neglected” Max Bruch (1838-1929) is almost exclusively associated with his famed G-minor violin concerto. However, throughout his long and industrious musical career he composed well over 200
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Beethoven’s Lairs
“Klepperstalle 82”
Throughout the years 1808/09, Beethoven was restlessly moving from apartment to apartment. From October 1808 he resided at the home of Countess Erdödy at Krugerstrasse 1074, in March and April 1809 he took an apartment on the 2nd floor of
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Show me the Money
George Gershwin (1898-1937)
It has been said that the total royalties George Gershwin accrued from performances of “Summertime” from his opera Porgy and Bess are equivalent to the Argentine national debt. Whether there is any truth to that anecdote or not, Gershwin was
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