In essence

1709 Posts
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Sergei Rachmaninoff: The Power of a Good Tune
Sergei Rachmaninoff certainly knew a good tune when he heard it. But recognizing a good tune was simply not enough for him. He frequently took it apart and closely analyzed its contents before reassembling them in new forms and guises.
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Sorabji
Kaikhosru Shapurji Sorabji (1892-1988) was an English composer and pianist who wrote some of the most unusual 20th century piano music. He maintained a tight control over his output, and, following a poor performance, he banned all public performances of
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Chopin goes Pop
When classical music aficionados are surveyed on the most popular romantic composer, the name Frédéric Chopin invariably rises to the top. This is hardly surprising as Chopin’s music, ranging from wistful Waltzes and sensual Nocturnes to fiery Etudes and Sonatas,
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Hugo Wolf: Italian Serenade
In the world of chamber music, Hugo Wolf (1860-1903) is not a household name. And there is good reason for this, as Wolf’s work consists predominantly of Lieder. He wrote large-scale song cycles on poems by Mörike, Goethe and Eichendorff,
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40-Love
Their weekly tennis games had become somewhat of a tourist attraction. George was younger and more powerful, always ready to exploit the weaknesses of his opponent. His movements were smooth and nonchalant, with every step and hit designed to impress
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“Art has to deal with eternal Questions”
Arvo and Nora Pärt
I know it’s hard to believe, but there are still celebrities who wish to keep their public and private spheres completely separate. For Arvo Pärt, one of the most respected and revered composers of contemporary classical music, it is a
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Musicians and Street Names in Belgium
A new website in Belgium is collecting together a list of streets in the country named after musicians. We were pleasantly surprised to see the international nature of street names as we looked through the site https://muzikalestraatnamen.wordpress.com/.
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The early Pärt
Living through the political and artistic complexities of the 20th century, Arvo Pärt always sought to communicate the spiritual power that he sees as music’s essential purpose. Initially, this quest proved rather difficult as his native Estonia was squarely placed
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