In last month’s article I focused on the relationships between musicians, artists and writers in 19th century Russia, which foreshadowed the even more drastic changes of the beginning of the 20th century. Not only would the artists and painters, associated

Pianist Simone Dinnerstein has recently released a new compact disk with the title “Something Almost Being Said – Music of Bach and Schubert” which includes Bach’s Partita No. 1 in B-Flat Major, Bach’s Partita No.2 in C-Minor and Schubert’s Four

Canción de Jinete Córdoba Lejana y sola. Jaca negra, luna grande, Y aceitunas en mi alforja. Aunque sepa los caminos yo nunca llegaré a Córdoba Por el llano, por el viento Jaca negra, luna roja. La muerte me está mirando

Liszt : Les Jeux d’eau a la Villa d’Este (1882) Ravel : Jeux d’Eau (1901) Tan Dun : Memories in Watercolor (2003) Debussy : Preludes (1910-1913) – Des pas sur la neige Debussy : Preludes (1910-1913) – Brouillards Debussy :

Eric Satie Parade (1917) Gymnopédies (1893) In their respective fields, Paul Cézanne and Claude Debussy influenced the artists of the early 20th century, which found their counterparts in intellectual circles formed around writers and poets such as Stéphane Mallarmé, Guillaume

Over the course of centuries, the relationship between music, the arts and literature has always focused on their similarities and differences. The difference between painting, which one sees and music, which one hears, has always been considered obvious. However, as