Schubert

121 Posts
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Michel Dalberto (Born on June 2, 1955): Schubert
Looking Inward
French pianist Michel Dalberto, winner of the Clara Haskil Prize and the First Prize in the Leeds International Piano Competition, selected the music of Franz Schubert for his first commercial recording. His recording of two piano sonatas by Franz Schubert
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Not Memory but Departure: Sokolov’s Schubert D960
In Frankfurt, Grigory Sokolov’s Schubert D960 did not sound like a work looking back. It sounded like a work leaving. That distinction matters. Many performances of Schubert’s last B-flat major sonata are shaped by memory: they invite the listener into
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Schubert Piano Sonatas: Hyewon Chang
As the first issue of a 5-year contract with Da Vinci Classics, pianist Hyewon Chang appears on Schubert Piano Sonata, Vol. 1, where she plays Piano Sonatas dating from 1817, 1819, and 1828. By choosing these three sonatas, Chang has
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When Liszt Met Schubert (Born on January 31, 1797)
Lieder Reborn
Franz Liszt spent several years creating piano versions of Franz Schubert’s songs. Crafted between 1833 and 1846, he made around fifty-six transcriptions that carefully kept many details of the original music. By removing the words, these pieces become purely instrumental.
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Schubert’s Winterreise: Love, Loss, and Hans Zender’s Modern Twist
Schubert’s Winterreise, published in 1828, the year of the composer’s death at the age of 31, is often described as the greatest song-cycle ever written. Its central themes and preoccupations – love and loss, life and death – resonate through
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Finishing the Unfinished
Martin Helmchen’s Schubert Sonatas
The impulse to complete an unfinished work by a composer such as Schubert arises from a blend of artistic curiosity, historical empathy and creative challenge. For many musicians and scholars, an incomplete score feels like a fragment of a larger,
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How These Three Great Composers Rescued Schubert From Obscurity
Today, Franz Schubert is one of the most beloved composers of all time, famous for works like Ave Maria, the Trout Quintet, and his “Unfinished Symphony.” But when Schubert died in 1828 at the age of 31, much of his
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Franz Schubert (Died on November 19, 1828) and Anselm Hüttenbrenner: Kindred Spirits and Custodianship
Franz Schubert (1797-1828) lived the quintessential life of an urban bachelor. He rejected the restraints and dependence of family life and found sustenance and camaraderie in a close, but ever-changing circle of friends. Perpetually short of money, he lived with
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