In essence

1686 Posts
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The Spy who loved me!
Liszt and Agnes Street-Klindworth
Orpheus, S98/R415 For 12 years, the Villa Altenberg in Weimar became the holy shrine celebrating the religious and personal cults of Carolyne von Sayn-Wittgenstein and Franz Liszt. Working together in a church like atmosphere of religious solitude, they wrote essays,
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Brahms and His Symphony No. 1
In 1900, when Boston’s Symphony Hall was being built, Philip Hale, a distinguished American music critic working for the Boston Herald, suggested that a sign should be fitted over the central doorway reading, “Exit in case of Brahms”! Hale’s message
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Mozart in Mannheim III
Ignatz Fränzl (1736-1811) was one of the most acclaimed virtuoso performers working at Mannheim. Already his father had been part of the orchestra, playing trumpet and viola under the leadership of Johann Stamitz. When Ignatz joined the ensemble as violinist
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In the name of the Father, Son and Holy Franz!
Liszt and Carolyne von Sayn-Wittgenstein
The differences between Marie Duplessis and Carolyne von Sayn-Wittgenstein could not have been more pronounced. Marie experienced a wretched and squalid upbringing with Daddy selling her into prostitution by age 12. Carolyne Ivanovska, on the other hand, was the only
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Maestros Tales
We are so fortunate that we can witness some of the work of legendary maestros of the last century via recordings and YouTube. Oftentimes their reputations are well known among aficionados of orchestral music. We musicians have a history, a
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Mozart in Mannheim II
One of the most significant innovations of the Mannheim Orchestra was to standardize the orchestral instrumentation. It normally consisted of strings — first and second violins, violas, cellos, and double basses — and pairs of flutes, oboes, bassoons, French horns,
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Wolfgang Amadeus Mozart: Clarinet Concerto, K. 622
Berlin Philharmonic Orchestra Claudio Abbado Sabine Meyer, clarinet Music Score Watch Live Giovanni Antonini and The Orchestre du Capitole de Toulouse Martin Fröst, clarinet Innovations in instrumental design, and the performers who explore these newly found opportunities, frequently spur the
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Mozart in Mannheim I
Wolfgang Amadeus Mozart first visited the city of Mannheim — a little side trip after a performance in Munich — in 1763. Accompanied by his parents and his sister Nannerl, he only stayed for a couple of days before the
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