As much as we’d like to, we can’t report on every classical music event around the world. That’s where you come in.
Email: [email protected] We would love to share your classical music experiences with our ever-growing audience. Have you:
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When none of the primary schools in the northeast Chinese town of Dalian would admit the then seven-year old Dai Bo, his parents bought him a piano. Little did they know that Dai Bo would grow up to be an
Bringing to the table a new composition entitled Duo: in cerca, American composer Eli Marshall is 90% excited and 10% nervous about the upcoming Intimacy of Creativity workshop, calling it not only a challenge to “think outside the box, but
Even now, I often see our press and expert critics sigh about the behaviour of audiences when they talk about concerts, as if whether they applauded between movements is the only standard by which to judge how civilised they are.
Robert Kurka Symphony No. 2, OP. 24 Louisville Orchestra Robert Whitney, conductor Louisville Orchestra First Edition Records — LP LOU-616 Released 1961 I. Allegro molto II. Andante espressivo III. Presto gioioso “There is a degree of freshness and impetuosity that
Bright Sheng, Chinese-American composer and the founder of Intimacy of Creativity is feeling good about the coming third season in many ways. With a stellar artistic line up, up-and-coming young composers and a growing recognition both locally and internationally, Bright
Matthew Tommasini recalled how emerging young pianist Haochen Zhang suggested to composer Bright Sheng at The Intimacy of Creativity – The Bright Sheng Partnership: Composers Meet Performers in Hong Kong last year that maybe he should cut his music piece
It was recently reported that Hunan province is going to build its very own “Sydney Opera House”, which is due to be completed in 2015. The designer is the renowned architect Zaha Hadid, who also designed the Guangzhou Opera House,
Last month, the Sydney Symphony Orchestra, led by chief conductor Vladimir Ashkenazy, performed a six-concert tour in China. This included visiting Qingdao and Wuhan ‒ two cities where few big orchestras get to play, due to the financial constraints of
