Guest Posts

As much as we’d like to, we can’t report on every classical music event around the world. That’s where you come in.

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We would love to share your classical music experiences with our ever-growing audience. (Over the past year, we’ve had over one million pageviews from readers all around the world.) Have you:

  • heard an intimate church concert or glamorous grand opera lately that you want to write about?
  • enjoyed an especially meaningful encounter with classical music?
  • wanted to discuss what studying or enjoying classical music means to you personally?

If so, we want to hear from you. Email us your submission in less than 500 words, with your name, where you are from, and any pictures you take.

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140 Posts
Fannie Bloomfield-Zeisler: Leschetizky’s Legacy in the United States
While Fannie Bloomfield-Zeisler (1863-1927) is largely forgotten today, her tireless pursuit of excellence and extraordinary gifts as a pianist and teacher made her one of the most significant figures in the classical music world in the early twentieth century. Born
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Dragonetti: First to the Bottom
Giving Double Bass a Voice in the Mighty Strings Family
Domenico Dragonetti was one of the first bassists to highlight the impact of the double bass and expose the virtuosic nature and capabilities of its profession. His life as a musician, the people he influenced, and the music he played
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20 Quotes From 20th-Century Pianists
“Do not find yourself in the music, but find the music in yourself.”– HEINRICH NEUHAUS (1888-1964) An outstanding Ukrainian pianist and pedagogue in the early 20th century, Neuhaus was born in a musical family whose parents were both music teachers.
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A Musical Awakening: Summer at Ladevie
The titles in italics throughout refer to pieces by Claude Debussy. ‘Valse mélancolique et langoureux vertige’ (‘Melancholy waltz and languorous vertigo’) (Charles Baudelaire, Harmonie du Soir) From my seat on the grassy terrace outside Treowen Manor in the Wye, I
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Discovering Rubinstein
My first approach to Anton Rubinstein’s music came around 2013/14 when I was still a protégé of pianist Leslie Howard. He himself was indeed the first to rediscover and record the 4 Piano Sonatas and other pieces such as the
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Caprice Brillant: Building a Collection of Caprices
My new album, ‘Caprice Brillant’ comprises a study of caprices, both well-known and unfamiliar, by Bach, Beethoven, Mendelssohn, Jaëll, Liszt, Moszkowski, Clementi, Kapustin and Godowsky. The inspiration to build a collection of caprices grew out of one particular piece of
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Walter Ponce’s The Tyranny of Tradition in Piano Teaching
This is a sharp, humorous critique of book tradition of piano instruction and the current music education system, particularly in the United States. Author, Walter Ponce, is an internationally acclaimed pianist, pedagogue, and Professor Emeritus at the State University of
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Remote Teaching: Lessons From a Pupil
During this extraordinary period of one’s musical career – at the height of the Coronavirus (COVID-19) pandemic – every teaching musician affected by lockdown has a single professional goal: instrumental lessons must be kept safe, personal and inspirational, and pupils’
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