As much as we’d like to, we can’t report on every classical music event around the world. That’s where you come in.
Email: [email protected] We would love to share your classical music experiences with our ever-growing audience. Have you:
heard an intimate church concert or glamorous grand opera lately that you want to write about?
enjoyed an especially meaningful encounter with classical music?
wanted to discuss what studying or enjoying classical music means to you personally?
If so, we want to hear from you. Please Email us your submission in less than 1200 words, with your name, where you are from, and any pictures you take.
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It was in the Fall of 2012 that an email went out to many of my colleagues in the Indianapolis Symphony Orchestra: we were in a stressful situation, with our having been locked out by our management because of our
When I open the newspaper looking for evening performances these days, all I see are operas. Following the announcement of a strategic partnership between the Oriental Art Centre and the Italian Bellini Theatre, the OAC further announced on 16th January
Steven Snowden has done some pretty interesting things in the name of music composition, from creating music installations with Nintendo Wii-motes, to collaborating with performers through blogging. Not one to shy away from musical collaborations, this month, the 32-year old
Not many composers can claim to have had their very first music composition publicly performed, but Roger Zare could. And judging from the number of awards and scholarships he has won since then, you might even assume he has perfected
“Chuchichäschtli.” “I won’t attempt to pronounce that,” I said. “Chuchichäschtli,” Charles Halka, US-based composer, pianist, and one of six composer fellows at the upcoming Intimacy of Creativity 2013, repeated with a laugh. “It’s a Swiss-German word that actually means kitchen
Karlo Margetić would like to thank fellow composer, Jack Body, for ordering him to apply to the Intimacy of Creativity 2013, because if his friend hadn’t, Karlo would have missed out on what he described as a “fantastic opportunity”. Born
To a novice like me in opera appreciation, the production of La Cenerentola at Palais Garnier on February 27 was a delightful eye opener. It all began with my first visit to Paris in 13 years last month for a
One of the hottest topics in town was the Shanghai Grand Theatre’s HD film screening of the London National Theatre production of Frankenstein. Tickets sold out immediately. Whispers crossed the city about how brilliant it was. However, this article is
