As much as we’d like to, we can’t report on every classical music event around the world. That’s where you come in.
Email: [email protected] We would love to share your classical music experiences with our ever-growing audience. Have you:
heard an intimate church concert or glamorous grand opera lately that you want to write about?
enjoyed an especially meaningful encounter with classical music?
wanted to discuss what studying or enjoying classical music means to you personally?
If so, we want to hear from you. Please Email us your submission in less than 1200 words, with your name, where you are from, and any pictures you take.
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The name Angela Gheorghiu is synonymous with diva, opera, beauty, passion, and romance. Audiences across the globe wait for and cherish the opportunity to see her perform live in the opera theatre. She is an immediate draw and therefore a
West Side Story Leonard Bernstein It was announced in the spring of 2012 that the Indianapolis Symphony would include in its upcoming Pops Series three “live” performances of the 1961 classic movie West Side Story, with music by Leonard Bernstein,
This July, Taiwan’s National Symphony Orchestra – renowned for tackling heavy German fare – switched gears to buoy Opera Australia’s mostly minimalist production of Madama Butterfly. It worked: despite being the ostensible “B” cast the evening I went, the stage’s
Behind every great man there stands a wise woman. Behind the late award-winning director Anthony Minghella, there stands his wife Carolyn Choa- together, they have shared their artistic career most fittingly. Carolyn has choreographed numerous dance productions before involving in
Glenn Gould’s performance on The Goldberg Variations has nurtured and inspired many generations of musicians ever since its first inception. To Swedish pianist Daniel Propper, the piece itself has brought him recognition and memories. A student of Tatiana Nikolaieva, Daniel
Verdi: Attila The conversation should have gone in another direction. After all, how often are you in the presence of Attila the Hun, and live to tell the story. Instead, when speaking to the legendary Italian bass Ferruccio Furlanetto, all
From the stunning red backdrop that opens Anthony Minghella’s Madame Butterfly, first staged at London’s ENO (2005) and then at The Met (2006), it is perfectly natural for dazzled audiences from worldwide to imagine the most complicated setting of the
Opera chorusmaster, a profession steeped in mystery and nuance. An invaluable member of the opera company, he or she is a general training the troops by day and commanding them on the battlefield by night. This is no mere choral
