About Meet our contributors
Georg Predota

For some reason, bios always follow a predictable and rather boring format. Dr. Georg A. Predota holds degrees from blah, blah, blah, and university appointments from blah, blah, blah. His research interests and extensive publication record include blah, blah, blah and blah. By now, you are undoubtedly fast asleep! While these scholarly pursuits and achievement certainly exude a veneer of knowledge and authority—probably better call it perspective—they have no way of adequately capturing the enourmous sphere of human activities related to music that are of keen interest to me. What I can offer is an insatiable appetite for anything related to music, a blazing curiosity that is looking beyond agendas, attitudes and platitudes, the power and experience of razor-sharp observation and differentiation, and a smoldering passion for sharing my thoughts with those interested. Of course, if you’d like to see my professional qualifications, I’ll be happy to send you my CV.

Contributed Posts
Aug 26, 2017 iDisorder in Opera: Poulenc “La Voix Humaine”
Aug 22, 2017 The Sorcerer’s Apprentice
Discovering the Musical Universe
Gary Graffman and Lang Lang
Aug 21, 2017 Muses and Musings
Beethoven and his “Klärchen”
Ludwig van Beethoven and Antonie Adamberger
Aug 21, 2017 The Henri Casadesus Viola Inventions
Aug 19, 2017 The 1749 Royal Bang!
Aug 15, 2017 The Sorcerer’s Apprentice
“I really should be practicing”
Vladimir Horowitz and Gary Graffman
Aug 14, 2017 King Norodom Sihanouk
The Royal Composer and Filmmaker of Cambodia
Aug 13, 2017 Behind the Curtain
The BBC Music Prank
Aug 12, 2017 Alexandre Tansman: Around the World in 15 Piano Miniatures
Aug 10, 2017 Georg Philipp Telemann (1681-1767): From Hero to Zero