About Meet our contributors
Georg Predota

For some reason, bios always follow a predictable and rather boring format. Dr. Georg A. Predota holds degrees from blah, blah, blah, and university appointments from blah, blah, blah. His research interests and extensive publication record include blah, blah, blah and blah. By now, you are undoubtedly fast asleep! While these scholarly pursuits and achievement certainly exude a veneer of knowledge and authority—probably better call it perspective—they have no way of adequately capturing the enourmous sphere of human activities related to music that are of keen interest to me. What I can offer is an insatiable appetite for anything related to music, a blazing curiosity that is looking beyond agendas, attitudes and platitudes, the power and experience of razor-sharp observation and differentiation, and a smoldering passion for sharing my thoughts with those interested. Of course, if you’d like to see my professional qualifications, I’ll be happy to send you my CV.

Contributed Posts
Oct 3, 2017 10th Anniversary of Premiere Performances Hong Kong
Oct 3, 2017 The Sorcerer’s Apprentice
Alfred Brendel and Paul Lewis
Playing Schubert with no Middleman
Oct 2, 2017 Muses and Musings
La Comtesse Greffulhe: Female Entrepreneurial Power
Sep 30, 2017 Born in a Mental Institution
The Operetta in France
Sep 29, 2017 Tangentenflügel
Mozart’s favorite keyboard instrument (for a while)
Sep 26, 2017 The Sorcerer’s Apprentice
Alfred Brendel and Imogen Cooper
Demonic Intensity
Sep 25, 2017 Muses and Musings
Bettina Brentano: Everybody’s Muse!
Sep 24, 2017 The Joy of being a Musical Prodigy
Alma Elizabeth Deutscher
Sep 22, 2017 Is it time for nontraditional casting in Gershwin’s Porgy and Bess?
Sep 21, 2017 Love on a cosmic scale
Olivier Messiaen, Claire Delbos and Yvonne Loriod