September, 2016

40 Posts
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Musical Giants of the 20th Century: Cellists
As with the great violinists, it is difficult to choose just ten great cellists. But as a cellist myself here are my heroes. Pablo Casals, born on December 29, 1876 in the Catalonian region of Spain, can be credited with
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Vivaldi and Bach
All musical thoughts are cumulative
Vivaldi and Bach never met! While the Italian master led the life of an international jetsetter, racing from one lucrative appointment to the next, Bach never strayed far away from home. Although Vivaldi came in contact with a variety of
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HERBERT, V.: Cello Concertos Nos. 1 and 2 / Irish Rhapsody
Cello Concerto No. 2 in E Minor, Op. 30 II. Lento – Andante tranquillo From HERBERT, V.: Cello Concertos Nos. 1 and 2 / Irish Rhapsody (2016) Released by Naxos Herbert: Cello Concerto No. 2 in E Minor, Op. 30
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Patriotism and Nationalism III: Italy and Spain
For many countries, their National Anthems are symbols of their place in the world. They may reflect many different aspects of a country, sometimes listing nature’s bountiful beauties, sometimes giving an encapsulated history of a country, or reflecting a particularly
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Morton Feldman (1926-1987)
Music is built on primitive memory structures
Morton Feldman had strong opinions on everything, and he certainly wasn’t shy of voicing them. “Because I’m Jewish,” he wrote, “I do not identify with Western civilization music. Polyphony sucks! Our moral in music is nineteenth-century German music, but I
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Pesaro 2016 – Living for and living off Rossini
It’s hard to justify the arduous trip to Pesaro. The unremarkable town on Italy’s Adriatic coast has poor train connections, it’s a dull two hour car ride from Bologna, and the nearest airport is Ancona Falconara, a run-down and inefficient
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Accentuate the Positive: Music and Neuro-Linguistic Programming
Neuro-Linguistic Programming (NLP) was created in California in the 1970s by Richard Bandler and John Grinder. The name makes a connection between the neurological processes (“neuro”), language (“linguistic”), and behavioural patterns learned through experience (“programming”) which can be altered or
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Pytor Ilyich Tchaikovsky: Symphony No. 5 in E minor, Op. 64
In 1876, Nadezhda von Meck—widow of a fabulously wealthy railroad proprietor—first encountered the music of Pyotr Illyich Tchaikovsky. This initial musical encounter quickly developed into a relationship of musical patronage that would last the better part of 14 years. Von
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