This episode of my favorite canons starts with an accidental discovery. In 1975, the Bibliothèque Nationale de France acquired the first edition of the Bach’s Goldberg Variations. It turned out that this particular printed score had originally belonged to Bach

In his Goldberg Variations, Musical Offering, and the canonic variations on “Vom Himmel hoch,” Bach pursued canonic procedure to its absolute limits. The use of canon no longer merely serves to lend emphasis or cogency to the composer’s part-writing, but

The combination of the Prelude and Fugue seems to be a particularly 18th-century construction. The two works should be in the same key and have different compositional rules: the Prelude as an introductory piece, sometimes of an improvisatory nature, and

J.S. Bach (1685–1750) came to Cöthen in 1717 as Kapellmeister and Chamber Music Director to Prince Leopold of Anhalt-Cöthen and remained there until he left for Leipzig in 1723. In those seven years, he could explore instrumental music because the

“They will outlive all changes of fashion in music” The collection of six sonatas in trio sonata form for organ BWV 525-530 by Johann Sebastian Bach are generally regarded as masterpieces for the instrument. We find them in a manuscript

Johann Sebastian Bach was born in present-day Germany in 1685. Before we dive into his music, here are a few things you should know about him first: Music was Bach’s family business. Almost every man in his family was a

Countless scholars, performers, and conductors have asked the almost impossible question of how Bach’s music sounded when it was performed for the first time. This question really caused a great stir some decades ago with Joshua Rifkin suggesting that what

Truth be told, I am almost apprehensive when watching or reading the morning news these days. Front pages and screens are full of yet more atrocities against humanity, and the death of innocent people from around the world is treated