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Ten Excerpts from Robert Schumann’s Love Letters to Clara
The love story between Robert and Clara Schumann is often regarded as one of the most romantic in classical music history. Happily for historians, many of their love letters survive. They document their inner thoughts and emotions, as well as
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  • Hamish Milne Remembered Hamish Milne Remembered
    The British pianist Hamish Milne passed away on February 12 at the age of 80. Milne perhaps isn’t a household name for a pianist. His recording legacy was also far from prolific. Yet he shall always be remembered as the
  • Bach to Choir: Bringing Bach Into a New Century Bach to Choir: Bringing Bach Into a New Century
    Cellist Sophie Webber had a long-standing idea that Bach’s Cello Suites could be made more accessible. In many ways, they stand as these beautiful and isolated jewels, created through a relationship of a player and her cello and the music
  • Víkingur Ólafsson Víkingur Ólafsson
    I talk to Icelandic pianist Víkingur Ólafsson about Beethoven, personal growth and problems facing young pianists ahead of his debut appearance in Hong Kong in March. Hot off the heels of the French Premiere of John Adams’ Piano Concerto in
  • Cyril Scott: the English Debussy Cyril Scott: the English Debussy
    For many pianists, our first encounter with the music of Cyril Scott is through his exotic, languorous piece Lotus Land. This was also Georgian pianist Nino Gvetadze’s first introduction to Scott’s piano music, through one of her teachers at Tbilisi
  • The Psychology in Film Music I The Psychology in Film Music I
    After finishing my three-part series on the philosophy in music, the inquiry into the psychology in music was something I thought that needed to be further fleshed out, also as a three-part series. What I’ve always known is that if