By the time Felix Mendelssohn (1809-1847) reached his 14th birthday, he already had an impressive variety and number of works in his compositional portfolio. In fact, between 1821 and 1823 alone, he composed a total of 12 symphonies for strings.

In 1826/27, Felix Mendelssohn published a collection of songs as his Opus 8, followed by a further collection in 1830, his Op. 9. Yet hidden in these collections are actually 6 Lieder composed by his sister Fanny Mendelssohn, published under

A caprice is something that takes you on a whim, an impulsive action, an unpredictable change, and a perfect inspiration for a Romantic piano piece. In Mendelssohn’s Capriccio brilliant, written in May of 1832 and performed in London that same

Felix Mendelssohn’s eight volumes of Songs without Words were written between 1829 and 1845 and in those sixteen years, Mendelssohn not only created a new genre but became its boldest exponent. He was followed by his sister, Fanny Mendelssohn, and

Felix Mendelssohn is credited with creating a new genre of music for the piano: the short lyrical pieces known as the Lieder ohne Worte, the Songs Without Words. It was common in the Romantic period to have short lyrical piano

No one dies at a favourable time, needless to say, but Felix Mendelssohn’s timing was particularly unfortunate. 1847 was one year before revolution would sweep across Europe, and so Mendelssohn would have his legacy formed in a post-revolutionary context. His

Although Felix Mendelssohn predated Brahms, his cello music is on the cusp of romanticism, bridging the classical and the romantic periods of music. He wrote two cello sonatas, No. 1 in B-flat Op. 45, and No. 2 in D Major

Mendelssohn had the consummate skill to bring a landscape to life, whether it was the wilds of the Scottish Isles in his Symphony No. 3, or the warmth of Italy in his Symphony No. 4. Mendelssohn began writing his Italian