In sight

319 Posts
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Alberto Ginastera
“The condensed voices of a whole country” In 2016 we celebrate the 100th birthday of Alberto Ginastera (1916-1983), considered one of the most important classical composers of the Americas! Continuously at odds with the repressive military dictatorship of his native
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Sunwook Kim
‘The Quality of the Moment’ Sat in a Piccadilly coffee shop, I catch Sunwook Kim just before he heads off to Switzerland to play Beethoven’s first piano concerto with the Orchestra della Svizzera Italiana.
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Manuel de Falla
Nights in the Gardens of Spain The marriage of Napoleon III to Eugenie de Montijo in 1853 heralded a French artistic fascination with the Iberian peninsular. Some of the best Spanish music of the late 19th century, particularly in the
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Iskandar Widjaja
No instant results – and ‘no shortcuts’ Iskandar Widjaja’s most recent visit to Hong Kong saw him performing Tchaikovsky in a shopping mall to a total of half a million people. This time, it’s a decidedly more intimate – yet
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Sir Arthur Bliss
Master of the Queen’s Music To commemorate the musical achievements of Sir Arthur Edward Drummond Bliss (1891-1975) a noted musicologist suggested, “Of the smaller stars that shone in the ample firmament of twentieth-century English music, the light that coruscated with
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Joseph Moog
On taking risks and the piano’s limits Performing the ‘Mount Everest of piano pieces’ (Brahms’ mighty Second Piano Concerto) in Hong Kong this October, Joseph Moog talks with me about lesser-known composers, and how far the piano repertoire can be
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Steve Reich
“All great music is contemporary” On 18 January 1973, Michael Tilson Thomas introduced Four Organs, scored for four Hammond organs and maracas by aspiring composer Steve Reich to New York audiences. Scheduled alongside music by Mozart, Bartók and Liszt, audience
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Sofia Gubaidulina
An Uncompromising Vision Sofia Asgatovna Gubaidulina, born on 24 October 1931 in Tschistopol, a small town on the Volga in the Tartar Republic of the USSR, has never been in doubt about her personal and musical identity and convictions. “I
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