About Meet our contributors
Georg Predota

For some reason, bios always follow a predictable and rather boring format. Dr. Georg A. Predota holds degrees from blah, blah, blah, and university appointments from blah, blah, blah. His research interests and extensive publication record include blah, blah, blah and blah. By now, you are undoubtedly fast asleep! While these scholarly pursuits and achievement certainly exude a veneer of knowledge and authority—probably better call it perspective—they have no way of adequately capturing the enourmous sphere of human activities related to music that are of keen interest to me. What I can offer is an insatiable appetite for anything related to music, a blazing curiosity that is looking beyond agendas, attitudes and platitudes, the power and experience of razor-sharp observation and differentiation, and a smoldering passion for sharing my thoughts with those interested. Of course, if you’d like to see my professional qualifications, I’ll be happy to send you my CV.

Contributed Posts
Dec 18, 2016 German Cities or Classical Composers?
Dec 18, 2016 Musical Giants of the 20th Century
Historically Informed Performances
Dec 17, 2016 Behind the Curtain
Glenn Gould Driving Under the Influence of Mahler
Dec 15, 2016 Moritz Moszkowski: Suite for 2 Violins and Piano, Op. 71
Dec 14, 2016 Unsung Concertos
Joseph Leopold Eybler: Clarinet Concerto (1798)
Dec 13, 2016 Romantic Collaborators of Alberto Ginastera
Mercedes de Toro and Aurora Natola
Dec 12, 2016 Minors of the Majors
Antonín Dvořák: Silhouettes, Op. 8
Dec 10, 2016 Movers and Shakers of Music World
Hallelujah! Orchestrating a Financial Portfolio
Dec 8, 2016 Alberto Ginastera
Dec 7, 2016 Unsung Concertos
Nikolaus Kraft: Cello Concerto No. 1 (1815)