About Meet our contributors
Georg Predota

For some reason, bios always follow a predictable and rather boring format. Dr. Georg A. Predota holds degrees from blah, blah, blah, and university appointments from blah, blah, blah. His research interests and extensive publication record include blah, blah, blah and blah. By now, you are undoubtedly fast asleep! While these scholarly pursuits and achievement certainly exude a veneer of knowledge and authority—probably better call it perspective—they have no way of adequately capturing the enourmous sphere of human activities related to music that are of keen interest to me. What I can offer is an insatiable appetite for anything related to music, a blazing curiosity that is looking beyond agendas, attitudes and platitudes, the power and experience of razor-sharp observation and differentiation, and a smoldering passion for sharing my thoughts with those interested. Of course, if you’d like to see my professional qualifications, I’ll be happy to send you my CV.

Contributed Posts
Oct 14, 2011 “The Maid as Mistress”
Georg Philipp Telemann and Maria Katharina Textor
Sep 30, 2011 “The Secret Passage”
Felix Mendelssohn and Delphine von Schauroth
Sep 14, 2011 Violin Concerto of Renewed Passion
Peter Ilyich Tchaikovsky and Yosif Kotek II
Aug 31, 2011 The Mermaid and the Prince
Alexander Zemlinsky and Alma Schindler
Aug 15, 2011 Funeral Rites for Gustav
Gustav Mahler and Marion Mathilde von Weber
Jul 29, 2011 Valse-Scherzo of Lust
Peter Ilyich Tchaikovsky and Yosif Kotek
Jul 11, 2011 Quintet of Discontent
César Franck and Augusta Holmès
Jun 28, 2011 Rolling the Dice in Macao?