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Finishing With a Flourish: Bach’s Partitas
Between 1725 and 1731, Johann Sebastian Bach (1685-1750) wrote the last of his keyboard suites. His earlier suites, the six English Suites, BWV 806-811, the six French Suites, BWV 812-817, and the Overture in the French style, BWV 831, culminated
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The Four-Voice Orchestra: Grieg’s String Quartet
We credit Haydn for codifying it, Mozart for extending it, and Beethoven for bringing it to its highest level. We look to Norwegian composer Edvard Grieg (1843-1907), however, to take Beethoven’s ideas and move them forward yet again. We generally
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For Love of a Woman: Wagner’s The Flying Dutchman
The sea was Richard Wagner’s inspiration for his 1843 opera Der fliegende Hollander (The Flying Dutchman). In July to August 1839, Wagner travelled from Riga to London, crossing the Baltic Sea and the North Sea on what proved to be
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Bringing Poland to the Keyboard: Chopin’s Mazurkas
Polish composer Fryderyk Franciszek Chopin (1810-1849), better known under the French version of his name, Frédéric Chopin left Poland at age 20, just as the November 1830 Uprising was about to start, and started a new life in Paris. Although
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One More Than Beethoven: Schubert’s Octet
Count Ferdinand Troyer (1780-1851) occupied a position of power as chief steward to Archduke Rudolf of Austria and also as an amateur clarinettist. His performance of the clarinet obliggato in ‘Parto, parto’ from Mozart’s La Clemenza di Tito with the
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Inspired by Spain: Chabrier’s España
What started as a tour of Spain for six months in 1882, turned into a research trip on the folk music and dances of Spain. Chabrier’s tour took in most of the principal cities of Spain, starting in San Sebastián,
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The Composer at His Jolliest: Mendelssohn’s Italian Symphony
In his tours of Europe, Felix Mendelssohn (1809-1847) found inspiration in Scotland for his Symphony No. 3 and The Hebrides Overture and in Italy for his Symphony No. 4, The Italian. His tour of Italy left him time to do
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Sweet Memories: Tchaikovsky’s Mélodie, Op. 42/3
In 1878, while in Switzerland, Pyotr Ilyich Tchaikovsky (1840-1893) wrote the first part of his op. 42 cycle for violin and piano, Souvenir d’un lieu cher (Memory of a dear place). The three movements, Méditation, Scherzo, and Mélodie were published
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