Stanley Sadie, editor of the Grove Dictionary of Music and Musicians, describes César Franck (1822–1890) as “a man of utmost humility, simplicity, reverence and industry.” The composer’s reputation rests largely on a few large-scale instrumental and orchestral works from his

César Franck’s genius flowered astonishingly late. Until his 50s, he composed mostly sacred choral works, songs, and early orchestral essays that met with indifference. Public acclaim eluded him as even his 1841 Trio dedicated to Franz Liszt faded quickly. Yet

César Franck was born in the city of Liège on 10 December 1822, then part of the United Kingdom of the Netherlands. His father, Nicholas-Joseph was a minor clerk, unemployed at the time, but he had great plans for his

Today was the birthday of César Franck (1822-1890) and Olivier Messiaen (1908- 1992). Born in different places and centuries, Franck and Messiaen did not share the same soundscapes in their compositions. Yet, these two composers shared a few things in

Ingmar Lazar, the founder of Festival du Bruit qui Pense, is a leading French pianist. He is set to release an album featuring four sets of pieces by César Franck. The album opens with an unpublished sonata written by Franck

César Franck (1822–1890) was a true international composer: he was born in Belgium, was a French citizen by choice, and may have even had a bit of German in his remote past. His musical skills were recognized early and exploited

“I dared much, but the next time, I will dare even more” Born in the city of Liège on 10 December 1822, then part of the United Kingdom of the Netherlands, César Franck (1822-1890) composed in a rich and luxurious

César Franck (1822-1890) came to Paris in 1835 where he studied privately. When he became a teacher in Paris at the Conservatoire, he taught the students who would go on to define French music at the turn of the century: