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A Trip to the Underworld for a Party: Offenbach’s Orphée aux enfers
One of the oldest stories in opera is that of Orpheus and Eurydice. In the original story, Orpheus, the musical son of Apollo, loses his beloved wife Eurydice to a snake bite. Outraged at the loss of his bride, he
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Numbering a Symphony: Schubert’s Great, D. 944
Depending on your sources, Franz Schubert (1797–1828) has his final symphony, The Great, D. 944, variously numbered as Symphony No. 7 or Symphony No. 8 or Symphony No. 9 or Symphony No. 10. We now know, through style and paper
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The Heroic Beethoven: Piano Concerto No. 5
In 1802, Beethoven (1770–1827) returned to Vienna from his stay in Heiligenstadt, where he’d been sent on doctor’s orders so he could learn to deal with both his increasing tinnitus and encroaching deafness. This is where he decided that suicide
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Chaotic Spontaneity and Scrupulous Precision: Webern’s 4 Pieces for Violin and Piano
Anton Webern (1883–1945) fulfilled the roles of a composer, a conductor, and a musicologist. As a student of Arnold Schoenberg, he took his teacher’s twelve-tone technique to a radical end. His musical studies ranged from the medieval period, studying the
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Focusing on the Unusual: Vivaldi’s Concertos for Viola d’amore
The viola d’amore was not your average viola – instead of the regular 6 strings, it had an additional 6 strings that were not bowed, but which vibrated when the main strings were played. These sympathetic strings, as they were
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A June Witches Gathering: Mussorgsky’s St John’s Eve on Bald Mountain
Modest Mussorgsky (1839–1881), a member of the Russian group known as The Mighty Handful or The Five, was part of a circle that came together from 1856 to 1870 to create classical music in a distinctively Russian style. Instead of
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Talking to the Orchestra: Mozart’s Violin Concerto No. 5
Just as in his piano concertos, Wolfgang Amadeus Mozart (1756–1791) created a world in his five violin concertos where the solo instrument is in conversation with the orchestra, rather than fighting it. The violin is very much a part of
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Innovative from the very Beginning: Beethoven’s Symphony No. 1
Ludwig van Beethoven (1770–1827) may have written only nine symphonies (a pittance compared with Haydn’s 104 and Mozart’s 41), but in those nine works, he managed to thoroughly expand a form that might have become a bit too complacent. From
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