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26 Posts
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Haochen Zhang Navigates Rachmaninoff’s Depths, but Long Yu Disappoints
Gold Medallist of the Van Cliburn Competition in 2009, Chinese pianist Haochen Zhang embarked on a tour de force in Hong Kong with Rachmaninoff’s Piano Concerto No. 3 in D minor, accompanied by the Hong Kong Philharmonic Orchestra under the
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Seeking out Others’ Culture: An Interview With Yang Xuefei
In a concert planned for September 2022, but postponed due to the Queen’s death, the London Philharmonic Orchestra has rescheduled their Image China: East Meets West concert to 13 April 2023. Leading Chinese composers Tan Dun and Chen Qigang are
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Review: Boris Giltburg in Hong Kong
Pianist Boris Giltburg has risen to worldwide fame since his victory in Queen Elisabeth Competition in 2013. The ambition of the Moscow-born Israeli pianist can easily be illustrated by his discography (e.g. Rachmaninoff‘s 24 Preludes, Beethoven’s Complete Piano Sonatas &
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Houses Slide: An Interview With Laura Bowler
At the Royal Festival Hall in London on Friday, 9 July, the focus of the concert will be the current climate situation. Composer Laura Bowler’s Houses Slide, commissioned by the London Sinfonietta, is a work for soprano and orchestra that
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Putting Beethoven Into Our Time
An Interview With Maestro Johannes Vogel
To end the Beethoven year, there will be a performance of Beethoven’s Ninth Symphony in Vienna. A simple enough statement but when you add in all the conditions: nothing live, social distancing, pandemic aware, then that statement becomes immensely complicated.
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Review on Berlin Phil’s Online Concert
Due to the current COVID-19 outbreak, the Philharmonie Berlin has been closed down till April to curb the spread of virus; yet the orchestra decided to give the concert conducted by Sir Simon Rattle as planned without real audience, with
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András Schiff – More of a Pianist Than a Conductor
Sir András Schiff returned to Hong Kong after 11 years, this time with his “family”, Cappella Andrea Barca, and performed Beethoven’s Piano Concerto No. 2 and Mozart’s Symphony No.39 for the first half of the programme, and Beethoven’s Piano Concerto
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Directing on the Global Stage
An Interview with Leonard Slatkin
At the end of his Asia tour, conductor Leonard Slatkin is coming to Hong Kong to conduct a century’s worth of music: from a work that will be receiving its Southeast Asian premiere to a late 19th-century warhorse. The first
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