On 20 March 1784, Wolfgang Amadeus Mozart sent his father the famous list of subscribers who paid an entrance fee of six gulden for three concerts at the Trattnerhof. “Here you have the list of all my subscribers,” he writes,

Whether we like it or not, Hector Berlioz is primarily associated with a single composition. Everybody knows his Symphonie Fantastique, but his religious works, the dramatic legends, his songs and even his operas are rarely scheduled for performance, and they

Ever since Antonio Salieri (1750-1825) fictionally poisoned Wolfgang Amadeus Mozart, he has gotten some seriously bad press. But as we know all too well, factual information and historical fact have never stood in the way of Hollywood telling a good

When Hector Berlioz went to see a production of Shakespeare’s Hamlet in Paris in 1827, he could hardly have guessed that it would turn into a life-changing experience!

In March of 1785 Leopold Mozart was visiting his son in Vienna, and he reports to his daughter Nannerl, “Your brother recently made 559 gulden at his concert, which was unexpected, because he is simultaneously giving his six subscription concerts

Giovanni Paisiello clearly had the Midas touch! Everything he touched turned to gold, or better yet, into regularly and well-paid employment. He also made an absolute fortune from public performances of his operas, and publishers would pay exorbitant prices to

Hector Berlioz was particularly fond of poking fun at so-called musical critics who had neither the education nor the natural ability to pass judgment on a composition. Of course, he had been mercilessly criticized for “his strange composition consisting of

Wolfgang writes to his father from Mannheim, “I have received your letter on the 26th February, and am much obliged to you for all the trouble you have taken about the arias, which are quite accurate in every respect. Next