In essence

1678 Posts
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Johann Sebastian Bach and His Circle of Friends I
Carl Philipp Emanuel (1714-1788) described his father’s household in Leipzig as a “pigeon coop.” People were constantly swarming in and out all the time, and he told the Bach biographer Forkel, “with his many activities Bach hardly had time for
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Death Comes at the End: Mahler’s Totenfeier
If Mahler could write a scary movie soundtrack, his symphonic poem Totenfeier (Funeral Rites) would be one of his contributions. This 1888 work, which one writer described as a ‘huge symphonic funeral march,’ comes between his first two symphonies. If
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Bach and George Martin, the Fifth Beatle
The English rock band The Beatles, formed in Liverpool in 1960, is widely considered the most influential band of all time. Led by songwriters Lennon and McCartney, the band was part of 1960s counterculture and inspired an international fan frenzy
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Bright Celebrations: Shostakovich’s Festive Overture
Written in a rush for a celebratory concert, Shostakovich’s Festive Overture is a joyous bubble starting with a brilliant fanfare. Written for a concert in Moscow at the Bolshoi Theatre celebrating the 37th anniversary of the October 1917 Revolution, this
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From Lucretius to Goethe to Strauss: Metamorphosen
In the last days of WWII, German composer Richard Strauss saw the world he knew in tatters around him. Germany was occupied by foreign powers, the great monuments of German culture had been destroyed – its opera houses and theatres,
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The Last Rose of Summer III
Giuliani, Hindemith, Kuhlau and Britten
Italian cellist Mauro Giuliani (1781-1829) made his home in Vienna in 1806. In 1813 he played in the famous performance of Beethoven’s Seventh Symphony during a gala event, which saw the participation of many of Vienna’s most celebrated musicians, including
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The Non-Meeting of Two Masters: Schoenberg’s Book of the Hanging Garden
The German symbolist poet Stefan George (1868-1933) and Arnold Schoenberg (1874-1951) probably never met – as one commentator said, ‘One reason could be that as charismatic leaders of cults, they too much resembled each other.’ In Paris in 1889, Stefan
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The Last Rose of Summer II
Flotow, Mendelssohn, Franchomme, and Glinka
“The Last Rose of Summer” reached a world audience as part of the romantic opera Martha by Friedrich von Flotow (1812-1883), premiered in Vienna on 25 November 1847. Adapted from a ballet to a story by Jules-Henri Vernoy de Saint-Georges,
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