In essence

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Mozart in London IV
During his stay in London, Wolfi apparently composed a number of duet sonatas, that is, two players performing at one piano. They were probably intended for his personal use and included the participation from his sister Nannerl. Advertisements from 1765
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Johannes Brahms: “Ein Deutsches Requiem” Op. 45
The “German Requiem” by Johannes Brahms, more so than any other of his compositions, first established the composer’s reputation among a wide range of music lovers in Germany, and subsequently secured his international reputation as well. Not unexpectedly, however, the
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Resistance is Futile!
Franz Liszt and Caroline and Eveline
Piano Concerto No. 2 in A minor, Op. 85 (1819) While in the waning stages of his relationship with Marie d’Agoult, Franz Liszt would deliberately forget to put their “fidelity ring” on his finger. “I felt a curious pleasure in
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Mozart in London III
After a mere four weeks in England, Wolfi showed remarkable progress and growth as a composer. Leopold wrote, ”what he had known when he left Salzburg is nothing compared with what he knows now; it defies the imagination … right
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Ariadne auf Naxos: Take One!
After the rousing financial success of “Der Rosenkavalier”, Richard Strauss and Hugo von Hofmannsthal eagerly sought to continue their artistic collaboration. It seems, however, that they were pulling in slightly different artistic directions. Strauss wanted them to reengage with “Semiramis”,
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Mozart in London II
During his initial stay in London, which lasted from 23 April 1764 through 1 July 1765, young Wolfi regaled in the invigorating and stimulating musical environment offered by the British capital. A rapidly prospering and growing middle class not only
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Extra, Extra: Daniel Stern tells all!
Franz Liszt and Marie d’Agoult III
Franz Liszt Annees de pelerinage, 2nd year, Italy, S161/R10b In the second volume of his “Years of Pilgrimage” (Deuxième année: Italie), Franz Liszt musically recalls some of the emotionally fulfilling days traveling in the company of his lover Marie d’Agoult.
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Gustav Mahler: Symphony No. 4 (1899-1901) / Willem Mengelberg: Concertgebouw Orchestra, 1939
Gustav Mahler Symphony No. 4 in G major The notated musical score requires not only realization, but also interpretation. In many cases, conductors will work with composers to clarify certain passages or to obtain a sense of musical meaning. However,
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