Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.
Franz Schubert composed his set of six German Dances in October 1824 for his piano student Countess Caroline Esterházy. Everybody knew that Schubert was deeply in love with his 18-year old student, and a number of compositions were the direct
Maybe they’re your secret reading. Maybe they’re your guide to life in general or your source of the perfect wry joke. As much as they inspire you, they’ve inspired composers as well. On Broadway, we’ve had musicals such as Li’l
Nobody composed variations like Austrian composer Franz Schubert! An undisputed master of the genre, his variations on his own melodies became a fascinating combination of formal innovation and musical poetics. Peeling away layer upon layer of significance and meaning, Schubert
There, in the shadows, a figure moves. Clothed in black, with a face seemingly drained of all life and colour, with long fingernails the better to catch you, it’s Count Dracula.
In all, the remarkable collection of Schubert’s Lieder transcriptions by Franz Liszt totaled 58 songs. Liszt first handed twelve of these piano transcriptions to a Viennese publisher in 1838 and his concluding efforts emerged 10 years later in 1848.
They are so familiar, the characters in the fairy tales and we know of their attributes: the loneliness of Cinderella before her triumphal return, the bravery of Little Red Riding Hood, the cleverness of Hansel and Gretel, and so many
Greatness will invariably recognize greatness! And Franz Liszt’s efforts and commitment on behalf of forgotten masterpieces set a powerful trend in the 19th century. As such it is hardly surprising that Franz Schubert occupied a central place in Liszt’s transcriptions