After winning the prestigious Prix de Rome, the young Charles Gounod (1818-1893) arrived in the Eternal City of Rome in 1840. After experiencing a spell of melancholy and homesickness, which he described “this kind of shroud in which I was

Charles Gounod kept working during the final year of his life. He suffered a variety of afflictions and ills but composed sacred music and penned his memoirs and essays. When he returned home from playing the organ for Mass at

Set in Bohemia in the 11th century, The Bloody Nun is full of feuding families, escaping lovers, accidental eloping by the hero with the ghost of the title, and the real bride’s father revealed as the ghost’s kills, in short,

Charles Gounod, born on 17 June 1818 in Paris, is primarily remembered as the composer of the opera Faust and an Ave Maria descant to the first prelude of J.S. Bach’s C-major prelude from the WTC. Yet in his day,

Charles Gounod took the first prelude of Bach’s Well-Tempered Klavier and started noodling around on it, and his piano teacher, Pierre Zimmerman, with whom he was studying at the Paris Conservatoire, took note of it. J.S. Bach: The Well-Tempered Clavier,

Pierre-Joseph Zimmerman was well established on the Parisian musical scene as a retired Conservatoire piano professor with many accomplished students to his credit. Together with his beautiful wife Hortense and their four daughters, the family entertained a lively salon that

The historiography of music primarily remembers Charles Gounod as the composer of Faust, Mireille and Roméo et Juliette. However, in his 12 total works for the operatic stage Gounod engages with the entire range of operatic types available in the

Charles Gounod unabashedly referred to Pauline Viardot as “The godmother of my career.” He first met her around a rather difficult time in his life. His brother Urbain had unexpectedly passed away, leaving behind a two-year-old child and a widow