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Tchaikovsky in the Hands of Two Masters
Two visiting orchestras will bring a lot of Tchaikovsky to Guangzhou this year, with appearances by the St. Petersburg Philharmonic under Yuri Temirkanov and the London Philharmonic Orchestra under Vassily Sinaisky. Both conductors are Russian, Temirkanov has led the St.
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Everything Old is New Again:
Orff and Carmina Burana
We went to a performance recently of Orff’s Carmina Burana and really welcomed the rare chance to hear a performance of the work on stage. This is a work that is more heard on the radio or as part of
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Auguste Mustel: Celesta
The silvery sounds of Heaven
If you listen to Tchaikovsky’s “Dance of the Sugar Plum Fairy” from the Nutcracker, you are acutely aware of a silvery, ethereal and otherworldly sound coming from the orchestra. That sound, similar to that of the glockenspiel—a percussion instrument composed
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My Three Stand Partners
Aide-de-Camp Marriages pt 1
The time you spend with a stand partner in an orchestra frequently exceeds the time you spend with your spouse. I had three long-term stand partners all vastly different in approaches. My first stand partner was the veteran and irascible
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Marc Blitzstein
A Forgotten Father of American Song
It’s hard to imagine someone who called the music of Kurt Weill (the composer of ‘Mack the Knife’) ‘drivel’ eventually writing musicals and popular songs himself. Yet for Marc Blitzstein, this huge shift in aesthetic was just the start –
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A Land of Musical Treasures
What are my impressions of Poland? The deadly WWII, Holocaust and Threnody to the Victims of Hiroshima… Throughout my college years, this country always appeared to me as miserable. This year in March, after a month long struggle, I finally
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On Pilgrimage with Murakami and Liszt
Haruki Murakami’s latest novel, Colourless Tsukuru Tazaki and His Years of Pilgrimage, has just been released and there’s that curious phrase in the title: “Years of Pilgrimage.” The reference, of course, is to Franz Liszt’s celebrated piano works about his
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Alma Mahler – Giving Music Life
I’m still a little bit scared of Alma Mahler. I can feel her gigantic personality looming over me, transcending the years, inevitably offering some acid-tongued rebuke at my futile attempts to capture this complex and volatile person in writing. When
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