Herbert von Karajan is frequently hailed as the greatest living conductor of orchestral music. And while his conducting method is one of total authority and power, many critics have praised his emphasis on the perfection of sound, “note-perfect expressions of

Building on the French mime tradition, traditionally done with white face and in white Pierrot dress, 19th-century mime Georges Wague expanded this to include song. Predating modern lipsynching by nearly a century, ‘cantomimes’ were created with a singer and instrumentalists

For conductor Vladimir Mikhailovich Jurowski, born on 4 April 1972, classical music is not simply an article of consumption. “The Arts should oblige people to think and ask questions and maybe fundamentally change people’s perceptions. It doesn’t mean we give

Very recently, I attended a recital by a rather well known pianist. After the programme proper had concluded, it was time for the encore ritual. Audience members were clapping furiously, cheering, standing up from their seats, and demanding that the

During his time at the Leipzig Conservatory, Edvard Grieg (1843-1907) heard Clara Schumann perform her husband’s Piano Concerto. As he later recalled, the work continued to signify a deeply musical experience lasting for decades. “Inspired from beginning to end,” he

The love story of Robert and Clara Schumann is one of the most famous in classical music history. Over the course of their marriage, Clara carried eight pregnancies to term. Today we’re looking at the remarkable stories of those children,

During his teenage years in Bonn, Ludwig van Beethoven sketched an incomplete draft for a passionate symphonic movement in C minor. Dating from between 1790 and 1792, the draft was never brought to fruition, and it took Beethoven almost another

Opera is a unique mixture of music and theatre; singing and acting each plays an important role in the success of a production. One of the most testing roles is that of the title role of Lucia di Lammermoor. In