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‘Small is beautiful’ – Petworth Festival turns 40
This coming July sees one of the UK’s most stylish ‘small is beautiful’ annual festivals celebrating a ‘significant’ year – the 2018 Petworth Festival is the 40th such event. Founded jointly by Lord Egremont and Robert Walker, the well-known composer
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Prague Summer Nights and Me
In the summer of 2017, I had the uniquely rewarding experience of attending the Prague Summer Nights: Young Artists Music Festival (PSN). Produced by Classical Movements—the premier concert tour company for the world’s great orchestras and choirs—Prague Summer Nights is
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The Early Years
It all started with a workshop. My then teacher, Mr Pulinkala told me about an Italian conductor who was in Delhi to conduct a workshop concerning opera. Being skeptical as most 14-15 year olds would be, I went there imagining
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The Opera Scene in China
On a cold windy night of December 2017, I travelled from Shanghai to Nanjing on a secret mission. I was invited by an anonymous patron who would like me to pay a visit to the just inaugurated Jiangsu Centre for
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Cellists Klengel and Becker: Towering Figures of the 19th Century
Like many other young cellists, I encountered Julius Klengel through his books of Technical Exercises in All Keys and his Daily Exercises. I wanted to play concertos not hours fixated on scales, arpeggios, and bowing exercises. But my father insisted,
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Polish Sensibility: the Mazurkas of Chopin and Szymanowski
Say ‘Mazurka’ and most people will reply ‘Chopin’. Fryderyk Chopin wrote at least 69 pieces in this form: 45 published during his lifetime, 13 published posthumously, and a further 11, which are known but where the manuscripts are in private
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The piano tuner: the pianist’s best friend
Just as pianists develop a strong attachment to the instrument they play most regularly so they can also form a very special relationship with the person who looks after that instrument – the piano tuner / technician.
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Are you Practicing Your Études?
“She plays duets instead of Grützmacher,” my father grumbled. “Janet, practice your études!” My father, trained in the European tradition, knew the benefits, and difficulties, of the strict methods of Dotzauer, Piatti, Klengel, Duport, and Becker, all brilliant cellists and
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