Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.
We all know about Prokofiev’s Peter and the Wolf, Saint-Saëns’ Carnival of the Animals, and Schubert’s Trout, but what other animals lurk in the musical forests?
The comic opera Il barbiere di Siviglia (The Barber of Seville) became Giovanni Paisiello’s greatest success. Composed and first staged during Paisiello’s tenure at the court in St. Petersburg, the opera swept like wildfire through European theaters. Between 1783 and
“Out, damned spot! Out, I say!” Bloodstains cannot be scoured nor erased in Shakespeare’s tragedy Macbeth. Intense ambition and a consuming lust for power lead the Scottish general Macbeth and his wife Lady Macbeth to commit murder and to seize
The fifteenth-century French chanson was not only a popular light vocal genre but a wonderful vehicle for all sorts of lasciviousness. In Josquin des Prez’ song “Faulte d’argent,” the anonymous poet complains that “Lack of money is unparalleled misery….,” but
Amid anguish and torment, Lives the contented soul, Chaste love, its only hope! Antonio Vivaldi: Nulla in mundo pax sincera, RV 630 (There is no honest peace in this world) These most powerful lines about the true nature of love
The Reichsmusiktage (Music Days of the 3rd Reich) in 1938 featured a number of customary performances and lectures. However, it also marked the opening of an exhibit entitled Entartete Music (Degenerate music). The exhibit was intended to show the “cultural
Europeans had been importing porcelain, silk and lacquer goods from China and Japan ever since the 17th century. At the dawn of the 18th century, European craftsmen and designers were actively imitating Oriental designs, creating their own fanciful versions of
The Hungarian violinist, composer, conductor and educator Joseph Joachim (1831-1907) was one of the most influential musical personalities of his time. At the tender age of 12, with Mendelssohn conducting, he performed the Beethoven violin concerto in London, and later
