About Meet our contributors
Anson Yeung

Born in Hong Kong, Anson graduated from the University of Hong Kong with a medical degree and a master’s degree in cancer research. A holder of Licentiate of Trinity College London in Piano Performance with Distinction, Anson plays the piano, organ and double bass and has an eclectic range of interests in classical music, ranging from Baroque to contemporary music. Since the age of 14, he has been writing reviews and articles for Interlude and the International Association of Theatre Critics (Hong Kong). He has also been invited to review newly released albums for RTHK Radio 4’s Music Insider.

Music has been an inseparable part of his life and a treasure that he will always cherish. Anson is pleased to be a contributor of Interlude, to share his love for music and to explore the endless possibilities of music.

Contributed Posts
Aug 11, 2022 Alexandre Kantorow’s Saint-Saëns: Astounding Virtuosity and Conviction
Jun 24, 2022 Whom Would You Have Chosen if You Had Been on the Jury of Cliburn 2022?
Apr 14, 2022 Mitsuko Uchida’s Beethoven Diabelli Variations – From Frolics To Transcendence
Apr 8, 2022 Grigory Sokolov at Esterházy Palace – A Journey to the Sublime
Apr 5, 2022 Recommended Recordings of Chopin Piano Concerto No. 1 in E minor, Op. 11
Dec 14, 2021 What Should We Be Looking for in Chopin Competition?
A Promising Pianist or a Chopinist?
Oct 8, 2021 Daniil Trifonov’s Bach: The Art of Life
Oct 6, 2021 Forgotten Pianists: Vladimir Krainev
Sep 14, 2021 Víkingur Ólafsson’s Mozart & Contemporaries – Daring Yet Thoughtful
Aug 2, 2021 Forgotten Pianists: Aldo Ciccolini