In April 1817, a merry little band of artists decided to form a small private club called the “Unsinnsgesellschaft” (Nonsense Society). Based in Vienna, this congenial group of artistic friends published a weekly magazine, the “Archiv des menschlichen Unsinns” (Archive
Schubert
Franz Grillparzer, Ignaz Castelli, and Eduard von Bauernfeld were all friends of Schubert and appear in the 1868 ‘Schubertiade’ drawing done by Moritz von Schwind, where they are standing behind the women on the right side of the picture.
One of the most enduring images of Schubert as a musician is an 1868 drawing of one of his musical evenings. The engraving by Moritz von Schwind.
We’ve looked at Schubert’s song cycles, but that was only a small part of the enormous number of lieder he wrote. There were many other poets he set than just the majors we are so familiar with (Goethe, Schiller, and
We mentioned the collection Schwanengesang in our last Schubert article. The collection was put together posthumously by Schubert’s publisher without regard to Schubert’s usual practice or Schubert’s probable wishes. Schubert never mixed his poets and also had a firm regard
After the simple joys and fatal ending of Die schöne Müllerin, the feeling of Winterreise comes as an interesting change. This time, Schubert set all 24 of the verses written by Wilhelm Müller. The cycle was first published in 1823
A Look at Schubert Vocal Works When we look at Franz Schubert’s song output, it is a truly amazing number. In just a few years, 11 to be exact, Schubert (1797-1828) wrote over 600 songs. The poets he set varied
Nothing stokes the fire of adolescence and the enormous physical and psychological changes that occur during the teenage years quite like the teenage girl and/or boy next door. Franz Schubert spent his formative years in Lichtental, the ninth district in