Archives

177 Posts
archive-post-image
The Supernatural Bullet: Weber’s Der Freischütz
Created as the first opera for Berlin’s new Konzerhaus, Weber’s Der Freischütz immediately captured the audience’s attention. The applause was hysterical and soon all of Berlin had its catchiest melodies conquered, singing or whistling the Huntmen’s Chorus or the Bridesmaid’s
Read more
archive-post-image
A Higher Form of Composition: Schumann’s String Quartets Op. 41
It was easy for the numerous piano virtuosos of the 19th century to continue to write perfect and exquisite miniatures for their own instrument. Robert Schumann, on the other hand, writing from his platform in the Neue Zeitschrift für Musik,
Read more
archive-post-image
Writing in a Rush: Mozart’s Turkish Violin Concerto No. 5
Written for his time at the Salzburg court, Mozart’s five violin concertos were all produced between 1773 and 1775, probably with himself as the intended conductor. The final three (k. 216, 218, and 219) were all completed in just a
Read more
archive-post-image
Fast and Furious: Gounod’s Faust Ballets
The story of Faust has captured composers’ imaginations for centuries. There was a historical figure, Johann Georg Faust (c. 1480–1540), who made the original deal with the devil at the crossroads when he exchanged his soul for unlimited knowledge and worldly
Read more
archive-post-image
Finding a New Creative Path: Beethoven’s Third Piano Concerto
When he finally arrived in Vienna as a permanent resident in 1795, Beethoven fit into an interesting hiatus in the city’s music life. Mozart‘s recent death left a place open for a daring piano virtuoso and composer. In his first
Read more
archive-post-image
The Doomed City: Lalo’s Overture to Le Roi d’Ys
Édouard-Victoire-Antoine Lalo (1823 –1892) started his musical career as a viola and violinist, studying at the Paris Conservatoire with François Antoine Habeneck, who had founded and led the Orchestre de la Société des Concerts du Conservatoire from 1828. After graduation,
Read more
archive-post-image
From Piano to Opera: Granados’ Goyescas
Inspired by the works of the Spanish Romantic painter and printmaker Francisco José de Goya y Lucientes (1746–1828), Goyescas by Enrique Granados (1867–1916) was a 6-part suite for piano, written in 1911. In 1915, he transformed the piano works into
Read more
archive-post-image
Widowhood and a Murder: Dvořák’s Holoubek
Antonín Dvořák (1841–1904) loved the poetry of Karl Jaromir Erben, particularly his collection of Czech folk ballads, The Garland, published in 1853. Starting in 1896, once he’d finished his nine symphonies and his other major orchestral works, Dvořák used the
Read more