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Reflections on the Leeds Piano Competition in 2021
Murray Perahia: Winner in 1972 Since its inception, the Leeds International Piano Competition has attained a highly respected reputation as the “most coveted prize in the piano world and internationally acclaimed for introducing some of the greatest pianists of our
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Houses Slide: An Interview With Laura Bowler
At the Royal Festival Hall in London on Friday, 9 July, the focus of the concert will be the current climate situation. Composer Laura Bowler’s Houses Slide, commissioned by the London Sinfonietta, is a work for soprano and orchestra that
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A Remarkable, Bittersweet Return to Live Music at London’s Wigmore Hall
Wigmore Hall BBC Radio 3 Special Broadcasts SeriesStephen Hough: JS Bach & Schumann Rarely has a live concert series been so eagerly anticipated. Twenty lunchtime recitals at London’s pre-eminent chamber music venue featuring such luminaries of the classical music world
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Gregory Kunde: Taking His Time to Triumph
Gregory Kunde shines in Giuseppe Verdi’s Otello at the Royal Opera House, a revival of the 2017 production (originally reviewed for Interlude). From the victorious opening exclamation “Esulatate!” (Rejoice!) that rings all the way up to the rafters, to the
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Jules Massenet’s Werther at the Royal Opera House
French director Benoît Jacquot’s production (Revival Director Andrew Sinclair) dates back to 2004, and has had at least two revivals at the Royal Opera House. It remains as insipid and drab as at its first showing and it is hard
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The Little Festival That Could: Verdi’s Falstaff at The Grange Festival
The Grange Festival has dramatically risen from operatic ashes after the previous management team marched off in 2016 with the chairs, lighting, database and many of the all-important sponsors. The backers of the glorious but dilapidated venue in Hampshire quickly
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Force of Star Power: Forza del Destino at the Royal Opera House
Giuseppe Verdi’s La Forza del Destino at the Royal Opera House was all about star appeal. With the irresistible double bill of Anna Netrebko and Jonas Kaufmann, the early performances were all hopelessly sold out, with tickets reportedly trading on
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Bernstein at Ely – An Interview with Humphrey Burton
Humphrey Burton made his first connection with Leonard Bernstein when Bernstein came over to London for the premiere of Candide. It had opened to disappointing reviews in New York three years earlier and the only part of the work that
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