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The Ten Most Beloved Symphonies of the Romantic Era, According to YouTube
In classical music, the Romantic Era lasted from around 1810 to around 1910. That century gave us some of the most famous symphonies in the repertoire. Nineteenth-century composers like Tchaikovsky, Brahms, Dvořák, Schubert, Mahler, Rachmaninoff, and others elevated the symphony
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    ‘The relationship with the moment’ A stint concerts of improvisation with the Iranian zarb quickly precedes an evening of Bach Cello Suites and Haydn Concerti – this does not phase cellist Jean-Guihen Queyras, who is one of those people who
  • A Little Night Music – The Piano Nocturne A Little Night Music – The Piano Nocturne
    The Development of Piano Writing on Nocturnes Since John Field The term “Nocturne” or “Notturno” (Italian) was first applied in the eighteenth century to pieces written for string ensemble to be performed at an evening party and then put aside.
  • Forgotten Pianists: José Iturbi Forgotten Pianists: José Iturbi
    One of our few ‘Forgotten Pianists’ to have both a screen and stage career, Spanish conductor and pianist José Iturbi (1895-1980) had an international career from Spain to Paris, to Mexico and then Hollywood.
  • Johannes Brahms: Doctor of Philosophy (Hon. Causa) Johannes Brahms: Doctor of Philosophy (Hon. Causa)
    Johannes Brahms never formally went to university, and his engagement with higher education was rather peripheral. Around age 20, Joseph Joachim invited him to Göttingen, where the violinist was taking summer courses in philosophy and history. Brahms accepted the invite,
  • Musicologist to the Rescue! Musicologist to the Rescue!
    There are a handful of films featuring musicologists – those scholars of the history of music. Two recent ones have been Songcatcher (2000), where a musicologist finds ancient Scots-Irish ballads in Appalachia, and then there’s The Silent Touch (1992), where
  • Ondes Martenot: Mystical Waves Ondes Martenot: Mystical Waves
    The history of early electronic musical instruments is filled with evocative and colorful names. We find the Telharmonium (1897), Theremin (1919), Spharophon (1924), Electronde (1933), Trautonium (1930), Mellertion (1933), and the Ondes Martenot (1928). All these early synthesizers make use
  • Debussy: Préludes Book II Debussy: Préludes Book II
    An Exploration of Debussy’s Piano Music — Preludes After a two-year break, Debussy continued his work on the Préludes for piano, writing another 12 and again showing influences of all areas of popular and ancient culture and from artists, writers,