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The Many Moods of Summertime
We all know Bess’ song from Porgy and Bess: ‘Summertime, and the Livin’ is Easy’. We decided to do a survey of what other composers thought about summer and were surprised at the very different moods and modes composers used
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  • Édouard Lalo Édouard Lalo
    “Be yourself, because everyone else is taken” “The glory of Édouard Lalo (1823-1892),” wrote a scholar in 1925, “was that he cast a shaft of sunlight into French music, expressing joy, life, and chaste tenderness free of sentimentality, and burning
  • Clara Clemens and Ossip Gabrilowitsch Clara Clemens and Ossip Gabrilowitsch
    “A Gentleman Is Someone Who Knows How to Play the Banjo and Doesn’t” Considered the “greatest humorist the United States has produced,” Samuel Langhorne Clemens, better known as Mark Twain (1835-1910), had an uneasy relationship with classical music. He wrote
  • The Father of Piano: Muzio Clementi The Father of Piano: Muzio Clementi
    If you are a pianist, you probably have heard of Clementi and played his six piano sonatinas, Op.36. Indeed, Clementi was one of the most influential classical keyboard composers in music history. I was introduced to his piano sonatas years
  • Felix Mendelssohn and His Circle of Friends Felix Mendelssohn and His Circle of Friends
    Felix Mendelssohn (1809-1847) and his sister Fanny were born into a prosperous and prominent Jewish family. Extraordinarily talented, they grew up in a highly intellectual environment. Visitors to the salon organized by their parents included the poets Heinrich Heine and
  • The True Picture: Boccherini’s Night Music The True Picture: Boccherini’s Night Music
    The Italian composer Luigi Boccherini made his name in Spain at the Royal Court, and then, unfortunately, got caught there when his patron was side-lined and sent to the countryside. New rulers come in and the old ruler’s family gets
  • Classical to Broadway: The Art of Robert Wright and George Forrest Classical to Broadway: The Art of Robert Wright and George Forrest
    What do Kismet, Song of Norway, Gypsy Lady, and The Great Waltz all have in common? They were all productions using the music of long-dead composers with updated lyrics. Robert Wright (1914-2005) worked with George Forrest (1915-1999) to bring classical