Percussion can be anything from the lowly triangle to the majestic piano and all struck things between. In his recent work Conjurer, John Corigliano took on the difficult task of writing a percussion concerto. In his own words, he said
In essence
In a letter to his father, Wolfgang Amadeus Mozart made a reference to a seven-member Italian opera troupe visiting Vienna. That troupe arrived in the Austrian capital during Lent 1783, and first performed on 22 April 1783 in Antonio Salieri’s
Gaetano Donizetti followed the resounding success of Anna Bolena with two additional serious operas, Lucrezia Borgia of 1833, and Lucia di Lammermoor of 1835. Rossini regarded Lucia as Donizetti’s supreme operatic achievement. It epitomized the Italian Romantic spirit of the
By the late 1950’s George Rochberg was celebrated as America’s first and foremost master of composition in a serial language. One of the great leaders of the American avant-garde, Rochberg’s journey to a newly found language based on the tonal
One of the most prolific Italian composers in the second quarter of the 19th Century, Gaetano Donizetti’s (1797-1848) reputation invariably stands or falls with his 70 works for the operatic stage. Robert Schumann spitefully called Donizetti “a composer of music
He was one of the greatest performing artists of the 19th century! Ole Bull (1810-1880) was a child prodigy, and he gave his public debut as a soloist at age 9. Although intending to study theology and/or law, he decided
In the month before his friend Ferdinand Walcher quit Vienna for a posting in Venice, Schubert had been a torchbearer at Beethoven’s funeral. The death of his greatest inspiration, whom he had only been able to meet days before Beethoven’s
Pierre-Joseph Zimmerman was well established on the Parisian musical scene as a retired Conservatoire piano professor with many accomplished students to his credit. Together with his beautiful wife Hortense and their four daughters, the family entertained a lively salon that







