In essence

1686 Posts
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Ravel’s Feline Family
In 1921, Maurice Ravel moved to a tiny villa outside of Paris, close to both culture and countryside. He named his cramped cottage “Belvedere.” It was his first house, and his dream house, and the last he ever had. Inside
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The Many Mountain Kings
Grieg’s Peer Gynt
In Act II of Edvard Grieg’s music of the play Peer Gynt, our eponymous hero enters the hall of the mountain king. As the scene’s introduction describes: “There is a great crowd of troll courtiers, gnomes and goblins. The Troll
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Minors of the Majors
Franz Peter Schubert: Mass No. 1 in F Major, D.105
“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!
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Movers and Shakers of Music World
Paul Sacher: Plutocrat and Patron
Without the extraordinary generosity of legendary conductor, patron, and impresario Paul Sacher, a myriad of masterworks by twentieth-century composers would simply not exist. An artist of unusual stature and one of the world’s richest men—he married the heiress of the
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“If music be the food of love, play on.” Shakespeare and Music IX – King Lear
You may be surprised how many quotes come from the 1606 play King Lear, perhaps William Shakespeare’s greatest of tragedies—a work, which continues to electrify and has stirred composers Debussy, Shostakovich, and Berlioz as well as some popular music. The
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Music á la “Mode”
Mixolydian Delight
The Mixolydian mode is somewhat of a paradox! Ancient tradition used it for lamentations, while modern authors ascribed erotic and joyous qualities to it. And to make it even more confusing, Plato entirely shunned the Mixolydian mode because he claimed
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From Children’s Tales to Scenes from Childhood
Robert Schumann: Kinderszenen
Written about children, but not written for children, the collection of short piano pieces entitled Kinderszenen (Scenes from Childhood) by Robert Schumann was a gift to Clara Wieck in 1838, two years before they were finally married. The final 13
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Johann Sebastian Bach: Laß Fürstin, laß noch einen Strahl, BWV 198 (Ode of Mourning)
Christiane Eberhardine of Brandenburg-Bayreuth, Electress of Saxony and titular Queen of the Polish-Lithuanian Commonwealth, was a bit of a religious celebrity. For years she resisted the pressure of the court to embrace the Roman Catholic faith, which her husband had
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