Starting with a bow to the great master, Camille Saint-Saëns (1835–1921) opened his 1858 Oratorio de Noël (Christmas Oratorio) with an organ prelude ‘in the style of J.S. Bach’. Written in 1858, the work was recognized in its time for
“The Carnival of Animals,” also known as “Le Carnaval des Animaux,” is one of Camille Saint-Saëns’ most famous works. It’s hardly surprising, as bees, bears, birds, cows and all manner of creatures spring to life in the ultimate musical animal
On 19 January 1873, the French cellist, viola da gamba player and instrument maker Auguste Tolbecque premiered Camille Saint-Saëns’ Cello Concerto No. 1 in A minor, Op. 33, a work specifically composed for him. Tolbecque was a close personal friend,
The match between the French composer Camille Saint-Saëns and the Spanish violin virtuoso Pablo Sarasate was ideal – even when Sarasate didn’t play the premiere of a Saint-Saëns violin work, his light and nimble style was always there in the
Camille Saint-Saëns (1835-1921) made his piano recital debut at age 10, audaciously telling the audience that he would perform any one of Beethoven’s 32 piano sonatas as an encore. Liszt considered him as the greatest organist on earth. Over some
Approaching his 80th birthday, Camille Saint-Saëns was appointed by the French government as “First Delegate to the Franco-American Commission for the Development of Political, Economic, Literary, and Artistic Relations” for the 1915 Panama-Pacific Exposition in San Francisco. Organized to commemorate
The French choral movement known as the orphéons originated during the French Revolution. Within 15 years, the initiative was so popular that it led to the creation of the Paris Orphéon choral society, an organization eventually directed by Charles Gounod.