Saint-Saens

23 Posts
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The Travels of M. Charles Sannois
Saint-Saëns’ Africa, Op. 89
Camille Saint-Saëns (1835-1921) was left bereft at the death of his mother in December 1888, and the cold winter winds in Paris persuaded him that perhaps a warmer climate might better suit him. Accordingly, he left Paris for Algiers where
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On This Day
16 December: Camille Saint-Saëns Died
When Camille Saint-Saëns died of a heart attack on 16 December 1921 in Algiers, his body was taken back to Paris for a state funeral at the Madeleine. His career had spanned 70 years and five continents. He performed as
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Bach in 19th-Century France: Saint-Saëns’ Oratorio de Noël (Christmas Oratorio)
Starting with a bow to the great master, Camille Saint-Saëns (1835–1921) opened his 1858 Oratorio de Noël (Christmas Oratorio) with an organ prelude ‘in the style of J.S. Bach’. Written in 1858, the work was recognized in its time for
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On This Day
26 February: Saint-Saëns’ The Carnival of Animals Was Premiered
“The Carnival of Animals,” also known as “Le Carnaval des Animaux,” is one of Camille Saint-Saëns’ most famous works. It’s hardly surprising, as bees, bears, birds, cows and all manner of creatures spring to life in the ultimate musical animal
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On This Day
19 January: Saint-Saëns’ Cello Concerto No. 1 Was Premiered
On 19 January 1873, the French cellist, viola da gamba player and instrument maker Auguste Tolbecque premiered Camille Saint-Saëns’ Cello Concerto No. 1 in A minor, Op. 33, a work specifically composed for him. Tolbecque was a close personal friend,
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Camille Saint-Saëns
“I am an eclectic spirit” Camille Saint-Saëns (1835-1921) was one of the leaders of the French musical renaissance during the later part of the 19th century. He was a scholar of music history and tolerant of a wide range of
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Against a Habanera Rhythm: Saint-Saëns’ Havanaise
The match between the French composer Camille Saint-Saëns and the Spanish violin virtuoso Pablo Sarasate was ideal – even when Sarasate didn’t play the premiere of a Saint-Saëns violin work, his light and nimble style was always there in the
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Further Study: Saint-Saëns’ Étude en forme de valse
Camille Saint-Saëns (1835-1921) made his piano recital debut at age 10, audaciously telling the audience that he would perform any one of Beethoven’s 32 piano sonatas as an encore. Liszt considered him as the greatest organist on earth. Over some
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