Inspiration

“Every great inspiration is but an experiment.”

Charles Ives

Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.

882 Posts
  • In the Night: Pascal Amoyel and Chopin’s Nocturnes In the Night: Pascal Amoyel and Chopin’s Nocturnes
    Although it has an older meaning, when we think of the “nocturne” we think of Frederic Chopin. He took his inspiration from the Irish composer John Field whose works were the first to take the title to the piano. A
  • Coming at Wagner from a Different Direction Coming at Wagner from a Different Direction
    We associate Wagner with gloriously large orchestral sounds, with complex stories, and magnificent singing. It’s interesting, however, when we hear Wagner’s operatic writing from the viewpoint of the keyboard and in this recording by French pianist Wilhem Latchoumia, he shapes
  • Debussy’s New Vision of an Old Standard Debussy’s New Vision of an Old Standard
    When we think of a musical piece called a ‘Prelude,’ we think of the monumental series of Preludes and Fugues by J.S. Bach, or, more adventurously, Chopin’s 1838 series of 24 Preludes, Op. 28. When the French composer Claude Debussy
  • Switched-On Bach Switched-On Bach
    Johann Sebastian Bach started his work on The Art of the Fugue, one of the most celebrated and extensively studied collection of contrapuntal movements, in 1743. At the time of his death, on 28 July 1750, the collection remained unfinished
  • Mendelssohn and the String Quartet Mendelssohn and the String Quartet
    Felix Mendelssohn (1809 — 1847) started writing string quartets at a very early age – always precocious, he composed his String Quartet in E flat major in 1823, when he was just 14 (although it was not published until 50
  • The Italian Influence The Italian Influence
    Italy has long been an influence on the development of music in Europe – perhaps it was due to the money inherent in its courts and the musical developments they supported, the promotion of art during the Renaissance, or just