Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.
Professionally, the years 1876 and 1877 accorded Antonín Dvorák (1841-1904) the first glimpses of international recognition. Privately, however, these years were overshadowed by great personal tragedy. Just two days after her birth, Dvorák’s little daughter Josefa unexpectedly died. In response,
Sigismund von Schrattenbach was Prince-Archbishop of Salzburg from 1753 to 1771. He appointed Leopold and Wolfgang Amadeus Mozart as members of the episcopal court orchestra, but only after Wolfgang had passed a rigorous test! Schrattenbach had always been suspicious that
Irony and Parody became key moments in German modernism. But parody and irony are not identical. While irony might be described as a strategy, most successful parodies derive their effect from the comic incongruity between the original and its parody.
There is a fine line between genius and madness. Given the current zeal for psychoanalyzing dead composers, Alexander Scriabin (1872-1915) would seem to be a perfect subject. He showed serious mental instability during the early stages of his life, and
English composer Edward Elgar used to create musical puzzles and then challenge his wife to solve them. He would create little piano pieces depicting various friends and Alice Elgar had to figure out who he was depicting.
There can be nothing more tragic to a parent than the loss of a child. Imagine the grief of the German poet Friedrich Rückert, who lost two of his children to scarlet fever within a period of six months. Attempting
In the last decade of the 19th century, European culture was perceived as increasingly decadent and degenerate. Visual art had abandoned representation and liberated color and line; literature weakened the narrative structures and loosened meanings, and music used a technically
Franz Liszt was the ultimate rock star of the 19th century! Handsome, flamboyant and a genius performer with a natural aptitude for the stage, he eventually turned into a prolific thinker and monumental composer. Yet, that path towards enlightenment was
