“Anecdotes and maxims are rich treasures to the man of the world.”
Johann Wolfgang von Goethe
The universe of classical music is jam-packed with musical anecdotes. Frequently these short narratives delineate subtle stories that highlight specific traits of a classical composer or a performer. Often humorous, anecdotes of classical composers don’t simply provoke laughter but can reveal a more general and subtle truth. We find Sophia Corri escaping her inattentive husband in an empty harp case, Beethoven being thrown in jail for vagrancy, and Rossini and Pavarotti both cooking their favorite meals. Napoleon gave free reign to his infatuation with an opera singer, Bach was challenged to a duel, and Frederick the Great had not only a great passion for music but also for a handsome Lieutenant in the Royal Guard. A musical anecdote is part of the process of telling a story, but it means sharing an experience with someone and not simply supplying him or her with information. And don’t worry, embellishment, exaggeration or fictitious invention are all part of the process. Anecdotes of classical composers impart the sense of a lived experience, as they usually involve real people in recognizable places and locations. In fact, musical anecdotes exhibit a special kind of realism and an identifiable historical dimension. Check back with us for more insightful and delightful musical anecdotes.
Strange though it may seem, we may be in the middle of a rebirth of the countertenor voice in our popular consciousness. For a long time, from the time of Mozart until the mid-20th century, the sound of the high
Have you ever heard of the musical instruments called Chromelodeon, Quadrangularis Reversum or Zymo-Xyl? If not, let me introduce you to Harry Partch (1901-1974), an American composer, music theorist and creator of unique musical instruments. The son of Presbyterian missionaries,
When is an Overture not an Overture? When it’s a Concert Overture. We are familiar with Overtures that serve as an introduction to an opera, a ballet, or even an oratorio, starting in the 17th century, but the Concert Overture
The elegant young man about town in the 17th century carved his way through the world dressed very very well. Fine cloth, elegant cuffs, a lace collar – and stockings. So what kind of instrument might the elegant young man
Saint-SaensPiano Concerto No. 2 in G Minor, Op. 22 The American pianist Philippa Schuyler made her concert debut while still a child, giving piano recitals and frequently appearing on the radio. Born in 1931, the mixed-race child was the daughter
František Kočvara (1730-1791), who thankfully changed his spelling to Frantisek Kotzwara after settling in London, originally hailed from Bohemia. He was a talented performer, equally versed on the viola, double bass, piano, violin, cello, oboe, flute, bassoon and cittern. He
In his 2010 novel, The Elephant Keepers’ Children, Danish author Peter Høeg uses Schubert songs to very practical end. One of the major characters in the book is a sonic engineer – she creates mechanisms that operate through speech or
Wait, what? This guy wrote film music as well as classical stuff? Pfft… Sound familiar? It’s interesting nowadays how film composers are often sneered at in relation to their more ‘serious’ counterparts. However, there was a whole generation of composers
